20+ Portfolio Video Templates for Creatives in 2024 – Speckyboy

A compelling portfolio is an important part of every designer’s promotional material. Potential clients and employers will use it to judge your skill level. It could be the difference in whether they contact you.

With that in mind, why not go all out? For example, employing video is a great way to grab a viewer’s attention. You can make something unique – a memorable experience that beats a plain old website.

Starting a video package from scratch can be tedious. But the right video template can help you get off to a roaring start. Start up your editing software, make a few customizations, and you’ve got an attractive presentation.

We’ve put together this collection of amazing portfolio video templates. They offer a professional look and are all easy to customize. You’ll find options for After Effects, DaVinci Resolve, Premiere Pro, and Final Cut Pro. Take your portfolio design to the next level!

Portfolio Templates for After Effects

Professional Portfolio Pack for After Effects

Use this portfolio template to add a clean and modern look to your presentation. It’s versatile and can be used to showcase different types of projects. Complete with snappy animations, you’ll be sure to keep viewers engaged.

Professional Portfolio Pack for After Effects

Modern Portfolio & Promo Template for After Effects

Add your photos and text to bring this video to life. There is space to include your skills, along with a short biography. It’s an easy way to introduce yourself to potential clients.

Modern Portfolio & Promo Template for After Effects

Black & White Animated Portfolio Template for After Effects

Want to make a strong first impression? This Ultra HD (3840×2160) black and white video template has everything you need. It features a modular structure for easier edits and includes a detailed tutorial. Combine fast-paced animation with classic looks.

Black & White Animated Portfolio Template for After Effects

Creative Portfolio Promo Template for After Effects

Bright and colorful, this video template will show off your resume in style. It includes several professional-grade animation effects and transitions. Customize the video by adding your photo and listing your skills.

Creative Portfolio Promo Template for After Effects

Professional Photography Portfolio Template for After Effects

Share your best images with this incredible photography portfolio template. There’s room for over 100 photos and over a dozen text placeholders. Put your photos into motion and wow your visitors.

Professional Photography Portfolio Template for After Effects

Portfolio & Resume Video Template for After Effects

This template includes 10+ unique slides to show your skills and past projects. Use the included tutorial to learn how to swap colors, images, and more. You’ll have a video that represents your personal brand in no time.

Portfolio & Resume Video Template for After Effects

Portfolio Templates for DaVinci Resolve

Colorful Portfolio Presentation Template for DaVinci Resolve

This template uses bold colors and precise movement to create a professional look. The special effects will keep viewers glued to the screen. It’s an excellent choice for those looking to make a statement with their portfolio.

Colorful Portfolio Presentation Template for DaVinci Resolve

Creative Folds Portfolio Template for DaVinci Resolve

Geometric shapes play a huge role in this portfolio template. Each slide features ultra-smooth animation and attention-getting effects. There’s never a dull moment – making this presentation a hit with potential clients and employers.

Creative Folds Portfolio Template for DaVinci Resolve

Portfolio Slides Video Template for DaVinci Resolve

Use this template to add a touch of fun and personality to your portfolio. It features hand-drawn elements and typography. The vibe is perfect for visual artists and illustrators who want to connect with viewers on a personal level.

Portfolio Slides Video Template for DaVinci Resolve

Photography Portfolio Video Template for DaVinci

Attractive and to the point, this video template makes it easy to tell your story. You’ll find a clean, modern look and plenty of space to add custom text and images. The modular structure means an easier editing experience.

Photography Portfolio Video Template for DaVinci

Portfolio Templates for Premiere Pro

Professional Photographer Portfolio Template for Premier Pro

Colorful and creative, you can use this template to create a top-notch portfolio presentation. List your skills, show off past projects, and captivate your audience. The aesthetic is unique and easy on the eyes.

Professional Photographer Portfolio Template for Premier Pro

Elegant Fashion Portfolio Template for Premiere Pro

This template is aimed at fashion designers, photographers, and other creative professionals. Clever use of color and typography makes it easy for your work to take center stage. It’s a great choice for those looking to project a modern lifestyle.

Elegant Fashion Portfolio Template for Premiere Pro

Portfolio & Promo Template for Premiere Pro

Create a compelling video portfolio presentation with this template for Premiere Pro. It combines rounded shapes with beautifully synchronized motion for a contemporary look. Customize it with your images and text to boost your brand.

Portfolio & Promo Template for Premiere Pro

Various Portfolio Titles Template for Premiere Pro

Use this set of slick video slides to share your biography and past projects. The template features plenty of animation effects while allowing your content to stand out. Viewers will appreciate this simple and enticing presentation.

Various Portfolio Titles Template for Premiere Pro

Photography Portfolio MOGRT for Premiere Pro

Make your photography the center of attention with this high-octane video template. You’ll find a minimalist approach to text with fast-paced photo collages. The result is an entertaining way to introduce your work to the world.

Photography Portfolio MOGRT for Premiere Pro

Resume & CV Presentation Template for Premiere Pro

Bold typography and smooth transitions make this template a winner. It’s the perfect fit for displaying your skills and work experience. There’s also room to feature your past projects as well.

Resume & CV Presentation Template for Premiere Pro

Portfolio Templates for Final Cut Pro

Stylish Portfolio Slideshow Template for Final Cut Pro

Here’s a template that features 4k resolution and magical effects. Use it to showcase your photography, videos, or graphic design work. The muted colors and fun personality make it an excellent choice for artists.

Stylish Portfolio Slideshow Template for Final Cut Pro

Urban Portfolio Slides Video Template for Final Cut Pro

Serious retro-futuristic vibes are coming from this video template. Dark backgrounds are mixed with neon text to make your message loud and clear. Add your best projects and take viewers back to the future.

Urban Portfolio Slides Video Template for Final Cut Pro

Animated Portfolio Lower Thirds for Final Cut Pro

Let your projects do the talking with this slick lower-thirds template. It offers outstanding typography and supports 4k video. Choose from seven animated lower-third presentations and customize the colors to match your brand.

Animated Portfolio Lower Thirds for Final Cut Pro

Web Portfolio Video Template for Final Cut Pro

This template is perfect for web designers, with space to share your favorite work. It includes classic film and glitch effects that look amazing but won’t overwhelm viewers. Use it to bring your website portfolio to life.

Web Portfolio Video Template for Final Cut Pro

Do More with Your Online Portfolio

The video templates above are an opportunity to do more with your portfolio. They add another dimension to your work and offer a different way to reach prospective clients. It’s something you can share and update as your career evolves.

Ready to take that next step? Start experimenting and see how video can improve your visibility.


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Empowering Data Control: Data Sovereignty as the Strategic Imperative in the AI Era

In today’s fast-moving world of digital transformation, data is much more than a resource—it’s the lifeblood of innovation. Across industries, businesses are leaning heavily on artificial intelligence (AI) to make quicker decisions, optimize operations, and unlock new opportunities. But with AI’s dependence on massive volumes of…

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Q&A: How the Europa Clipper will set cameras on a distant icy moon

With its latest space mission successfully launched, NASA is set to return for a close-up investigation of Jupiter’s moon Europa. Yesterday at 12:06 p.m. EDT, the Europa Clipper lifted off via SpaceX Falcon Heavy rocket on a mission that will take a close look at Europa’s icy surface. Five years from now, the spacecraft will visit the moon, which hosts a water ocean covered by a water-ice shell. The spacecraft’s mission is to learn more about the composition and geology of the moon’s surface and interior and to assess its astrobiological potential. Because of Jupiter’s intense radiation environment, Europa Clipper will conduct a series of flybys, with its closest approach bringing it within just 16 miles of Europa’s surface. 

MIT Department of Earth, Atmospheric and Planetary Sciences (EAPS) Senior Research Scientist Jason Soderblom is a co-investigator on two of the spacecraft’s instruments: the Europa Imaging System and the Mapping Imaging Spectrometer for Europa. Over the past nine years, he and his fellow team members have been building imaging and mapping instruments to study Europa’s surface in detail to gain a better understanding of previously seen geologic features, as well as the chemical composition of the materials that are present. Here, he describes the mission’s primary plans and goals.

Q: What do we currently know about Europa’s surface?

A: We know from NASA Galileo mission data that the surface crust is relatively thin, but we don’t know how thin it is. One of the goals of the Europa Clipper mission is to measure the thickness of that ice shell. The surface is riddled with fractures that indicate tectonism is actively resurfacing the moon. Its crust is primarily composed of water ice, but there are also exposures of non-ice material along these fractures and ridges that we believe include material coming up from within Europa.

One of the things that makes investigating the materials on the surface more difficult is the environment. Jupiter is a significant source of radiation, and Europa is relatively close to Jupiter. That radiation modifies the materials on the surface; understanding that radiation damage is a key component to understanding the composition.

This is also what drives the clipper-style mission and gives the mission its name: we clip by Europa, collect data, and then spend the majority of our time outside of the radiation environment. That allows us time to download the data, analyze it, and make plans for the next flyby.

Q: Did that pose a significant challenge when it came to instrument design?

A: Yes, and this is one of the reasons that we’re just now returning to do this mission. The concept of this mission came about around the time of the Galileo mission in the late 1990s, so it’s been roughly 25 years since scientists first wanted to carry out this mission. A lot of that time has been figuring out how to deal with the radiation environment.

There’s a lot of tricks that we’ve been developing over the years. The instruments are heavily shielded, and lots of modeling has gone into figuring exactly where to put that shielding. We’ve also developed very specific techniques to collect data. For example, by taking a whole bunch of short observations, we can look for the signature of this radiation noise, remove it from the little bits of data here and there, add the good data together, and end up with a low-radiation-noise observation.

Q: You’re involved with the two different imaging and mapping instruments: the Europa Imaging System (EIS) and the Mapping Imaging Spectrometer for Europa (MISE). How are they different from each other?

A: The camera system [EIS] is primarily focused on understanding the physics and the geology that’s driving processes on the surface, looking for: fractured zones; regions that we refer to as chaos terrain, where it looks like icebergs have been suspended in a slurry of water and have jumbled around and mixed and twisted; regions where we believe the surface is colliding and subduction is occurring, so one section of the surface is going beneath the other; and other regions that are spreading, so new surface is being created like our mid-ocean ridges on Earth.

The spectrometer’s [MISE] primary function is to constrain the composition of the surface. In particular, we’re really interested in sections where we think liquid water might have come to the surface. Understanding what material is from within Europa and what material is being deposited from external sources is also important, and separating that is necessary to understand the composition of those coming from Europa and using that to learn about the composition of the subsurface ocean.

There is an intersection between those two, and that’s my interest in the mission. We have color imaging with our imaging system that can provide some crude understanding of the composition, and there is a mapping component to our spectrometer that allows us to understand how the materials that we’re detecting are physically distributed and correlate with the geology. So there’s a way to examine the intersection of those two disciplines — to extrapolate the compositional information derived from the spectrometer to much higher resolutions using the camera, and to extrapolate the geological information that we learn from the camera to the compositional constraints from the spectrometer.

Q: How do those mission goals align with the research that you’ve been doing here at MIT?

A: One of the other major missions that I’ve been involved with was the Cassini mission, primarily working with the Visual and Infrared Spectrometer team to understand the geology and composition of Saturn’s moon Titan. That instrument is very similar to the MISE instrument, both in function and in science objective, and so there’s a very strong connection between that and the Europa Clipper mission. For another mission, for which I’m leading the camera team, is working to retrieve a sample of a comet, and my primary function on that mission is understanding the geology of the cometary surface.

Q: What are you most excited about learning from the Europa Clipper mission?

A: I’m most fascinated with some of these very unique geologic features that we see on the surface of Europa, understanding the composition of the material that is involved, and the processes that are driving those features. In particular, the chaos terrains and the fractures that we see on the surface.

Q: It’s going to be a while before the spacecraft finally reaches Europa. What work needs to be done in the meantime?

A: A key component of this mission will be the laboratory work here on Earth, expanding our spectral libraries so that when we collect a spectrum of Europa’s surface, we can compare that to laboratory measurements. We are also in the process of developing a number of models to allow us to, for example, understand how a material might process and change starting in the ocean and working its way up through fractures and eventually to the surface. Developing these models now is an important piece before we collect these data, then we can make corrections and get improved observations as the mission progresses. Making the best and most efficient use of the spacecraft resources requires an ability to reprogram and refine observations in real-time.

Telefónica’s Wayra backs AI answer engine Perplexity

Telefónica’s corporate venture capital arm, Wayra, has announced its investment in AI answer engine Perplexity. Perplexity’s AI-driven platform aims to revolutionise internet information searches by providing real-time, accurate, and contextual answers to queries using natural language processing. Unlike traditional search engines that return a list of…

Model reveals why debunking election misinformation often doesn’t work

When an election result is disputed, people who are skeptical about the outcome may be swayed by figures of authority who come down on one side or the other. Those figures can be independent monitors, political figures, or news organizations. However, these “debunking” efforts don’t always have the desired effect, and in some cases, they can lead people to cling more tightly to their original position.

Neuroscientists and political scientists at MIT and the University of California at Berkeley have now created a computational model that analyzes the factors that help to determine whether debunking efforts will persuade people to change their beliefs about the legitimacy of an election. Their findings suggest that while debunking fails much of the time, it can be successful under the right conditions.

For instance, the model showed that successful debunking is more likely if people are less certain of their original beliefs and if they believe the authority is unbiased or strongly motivated by a desire for accuracy. It also helps when an authority comes out in support of a result that goes against a bias they are perceived to hold: for example, Fox News declaring that Joseph R. Biden had won in Arizona in the 2020 U.S. presidential election.

“When people see an act of debunking, they treat it as a human action and understand it the way they understand human actions — that is, as something somebody did for their own reasons,” says Rebecca Saxe, the John W. Jarve Professor of Brain and Cognitive Sciences, a member of MIT’s McGovern Institute for Brain Research, and the senior author of the study. “We’ve used a very simple, general model of how people understand other people’s actions, and found that that’s all you need to describe this complex phenomenon.”

The findings could have implications as the United States prepares for the presidential election taking place on Nov. 5, as they help to reveal the conditions that would be most likely to result in people accepting the election outcome.

MIT graduate student Setayesh Radkani is the lead author of the paper, which appears today in a special election-themed issue of the journal PNAS Nexus. Marika Landau-Wells PhD ’18, a former MIT postdoc who is now an assistant professor of political science at the University of California at Berkeley, is also an author of the study.

Modeling motivation

In their work on election debunking, the MIT team took a novel approach, building on Saxe’s extensive work studying “theory of mind” — how people think about the thoughts and motivations of other people.

As part of her PhD thesis, Radkani has been developing a computational model of the cognitive processes that occur when people see others being punished by an authority. Not everyone interprets punitive actions the same way, depending on their previous beliefs about the action and the authority. Some may see the authority as acting legitimately to punish an act that was wrong, while others may see an authority overreaching to issue an unjust punishment.

Last year, after participating in an MIT workshop on the topic of polarization in societies, Saxe and Radkani had the idea to apply the model to how people react to an authority attempting to sway their political beliefs. They enlisted Landau-Wells, who received her PhD in political science before working as a postdoc in Saxe’s lab, to join their effort, and Landau suggested applying the model to debunking of beliefs regarding the legitimacy of an election result.

The computational model created by Radkani is based on Bayesian inference, which allows the model to continually update its predictions of people’s beliefs as they receive new information. This approach treats debunking as an action that a person undertakes for his or her own reasons. People who observe the authority’s statement then make their own interpretation of why the person said what they did. Based on that interpretation, people may or may not change their own beliefs about the election result.

Additionally, the model does not assume that any beliefs are necessarily incorrect or that any group of people is acting irrationally.

“The only assumption that we made is that there are two groups in the society that differ in their perspectives about a topic: One of them thinks that the election was stolen and the other group doesn’t,” Radkani says. “Other than that, these groups are similar. They share their beliefs about the authority — what the different motives of the authority are and how motivated the authority is by each of those motives.”

The researchers modeled more than 200 different scenarios in which an authority attempts to debunk a belief held by one group regarding the validity of an election outcome.

Each time they ran the model, the researchers altered the certainty levels of each group’s original beliefs, and they also varied the groups’ perceptions of the motivations of the authority. In some cases, groups believed the authority was motivated by promoting accuracy, and in others they did not. The researchers also altered the groups’ perceptions of whether the authority was biased toward a particular viewpoint, and how strongly the groups believed in those perceptions.

Building consensus

In each scenario, the researchers used the model to predict how each group would respond to a series of five statements made by an authority trying to convince them that the election had been legitimate. The researchers found that in most of the scenarios they looked at, beliefs remained polarized and in some cases became even further polarized. This polarization could also extend to new topics unrelated to the original context of the election, the researchers found.

However, under some circumstances, the debunking was successful, and beliefs converged on an accepted outcome. This was more likely to happen when people were initially more uncertain about their original beliefs.

“When people are very, very certain, they become hard to move. So, in essence, a lot of this authority debunking doesn’t matter,” Landau-Wells says. “However, there are a lot of people who are in this uncertain band. They have doubts, but they don’t have firm beliefs. One of the lessons from this paper is that we’re in a space where the model says you can affect people’s beliefs and move them towards true things.”

Another factor that can lead to belief convergence is if people believe that the authority is unbiased and highly motivated by accuracy. Even more persuasive is when an authority makes a claim that goes against their perceived bias — for instance, Republican governors stating that elections in their states had been fair even though the Democratic candidate won.

As the 2024 presidential election approaches, grassroots efforts have been made to train nonpartisan election observers who can vouch for whether an election was legitimate. These types of organizations may be well-positioned to help sway people who might have doubts about the election’s legitimacy, the researchers say.

“They’re trying to train to people to be independent, unbiased, and committed to the truth of the outcome more than anything else. Those are the types of entities that you want. We want them to succeed in being seen as independent. We want them to succeed as being seen as truthful, because in this space of uncertainty, those are the voices that can move people toward an accurate outcome,” Landau-Wells says.

The research was funded, in part, by the Patrick J. McGovern Foundation and the Guggenheim Foundation.

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MIT team takes a major step toward fully 3D-printed active electronics

Active electronics — components that can control electrical signals — usually contain semiconductor devices that receive, store, and process information. These components, which must be made in a clean room, require advanced fabrication technology that is not widely available outside a few specialized manufacturing centers.

During the Covid-19 pandemic, the lack of widespread semiconductor fabrication facilities was one cause of a worldwide electronics shortage, which drove up costs for consumers and had implications in everything from economic growth to national defense. The ability to 3D print an entire, active electronic device without the need for semiconductors could bring electronics fabrication to businesses, labs, and homes across the globe.

While this idea is still far off, MIT researchers have taken an important step in that direction by demonstrating fully 3D-printed resettable fuses, which are key components of active electronics that usually require semiconductors.

The researchers’ semiconductor-free devices, which they produced using standard 3D printing hardware and an inexpensive, biodegradable material, can perform the same switching functions as the semiconductor-based transistors used for processing operations in active electronics.

Although still far from achieving the performance of semiconductor transistors, the 3D-printed devices could be used for basic control operations like regulating the speed of an electric motor.

“This technology has real legs. While we cannot compete with silicon as a semiconductor, our idea is not to necessarily replace what is existing, but to push 3D printing technology into uncharted territory. In a nutshell, this is really about democratizing technology. This could allow anyone to create smart hardware far from traditional manufacturing centers,” says Luis Fernando Velásquez-García, a principal research scientist in MIT’s Microsystems Technology Laboratories (MTL) and senior author of a paper describing the devices, which appears in Virtual and Physical Prototyping.

He is joined on the paper by lead author Jorge Cañada, an electrical engineering and computer science graduate student.

An unexpected project

Semiconductors, including silicon, are materials with electrical properties that can be tailored by adding certain impurities. A silicon device can have conductive and insulating regions, depending on how it is engineered. These properties make silicon ideal for producing transistors, which are a basic building block of modern electronics.

However, the researchers didn’t set out to 3D-print semiconductor-free devices that could behave like silicon-based transistors.

This project grew out of another in which they were fabricating magnetic coils using extrusion printing, a process where the printer melts filament and squirts material through a nozzle, fabricating an object layer-by-layer.

They saw an interesting phenomenon in the material they were using, a polymer filament doped with copper nanoparticles.

If they passed a large amount of electric current into the material, it would exhibit a huge spike in resistance but would return to its original level shortly after the current flow stopped.

This property enables engineers to make transistors that can operate as switches, something that is typically only associated with silicon and other semiconductors. Transistors, which switch on and off to process binary data, are used to form logic gates which perform computation.

“We saw that this was something that could help take 3D printing hardware to the next level. It offers a clear way to provide some degree of ‘smart’ to an electronic device,” Velásquez-García says.

The researchers tried to replicate the same phenomenon with other 3D printing filaments, testing polymers doped with carbon, carbon nanotubes, and graphene. In the end, they could not find another printable material that could function as a resettable fuse.

They hypothesize that the copper particles in the material spread out when it is heated by the electric current, which causes a spike in resistance that comes back down when the material cools and the copper particles move closer together. They also think the polymer base of the material changes from crystalline to amorphous when heated, then returns to crystalline when cooled down — a phenomenon known as the polymeric positive temperature coefficient.

“For now, that is our best explanation, but that is not the full answer because that doesn’t explain why it only happened in this combination of materials. We need to do more research, but there is no doubt that this phenomenon is real,” he says.

3D-printing active electronics

The team leveraged the phenomenon to print switches in a single step that could be used to form semiconductor-free logic gates.

The devices are made from thin, 3D-printed traces of the copper-doped polymer. They contain intersecting conductive regions that enable the researchers to regulate the resistance by controlling the voltage fed into the switch.

While the devices did not perform as well as silicon-based transistors, they could be used for simpler control and processing functions, such as turning a motor on and off. Their experiments showed that, even after 4,000 cycles of switching, the devices showed no signs of deterioration.

But there are limits to how small the researchers can make the switches, based on the physics of extrusion printing and the properties of the material. They could print devices that were a few hundred microns, but transistors in state-of-the-art electronics are only few nanometers in diameter.

“The reality is that there are many engineering situations that don’t require the best chips. At the end of the day, all you care about is whether your device can do the task. This technology is able to satisfy a constraint like that,” he says.

However, unlike semiconductor fabrication, their technique uses a biodegradable material and the process uses less energy and produces less waste. The polymer filament could also be doped with other materials, like magnetic microparticles that could enable additional functionalities.

In the future, the researchers want to use this technology to print fully functional electronics. They are striving to fabricate a working magnetic motor using only extrusion 3D printing. They also want to finetune the process so they could build more complex circuits and see how far they can push the performance of these devices.

“This paper demonstrates that active electronic devices can be made using extruded polymeric conductive materials. This technology enables electronics to be built into 3D printed structures. An intriguing application is on-demand 3D printing of mechatronics on board spacecraft,” says Roger Howe, the William E. Ayer Professor of Engineering, Emeritus, at Stanford University, who was not involved with this work.

This work is funded, in part, by Empiriko Corporation.

30+ Essential Wedding Stationery Templates for Photoshop – Speckyboy

Weddings are joyous occasions that create fond memories. It’s one reason why we love to hang on to keepsakes from the day. Each memento is a reminder of good times.

Perhaps there’s no better keepsake than wedding stationery. The feel of the paper, the elegant fonts, and the carefully selected color scheme tell a story. It’s no wonder we put so much effort into making them perfect.

These projects can be time-consuming for graphic designers. But don’t worry – we can help you get off to a fast start.

Below is a curated collection of wedding stationery templates for Adobe Photoshop. They cover a variety of styles – you’re sure to find one that matches your needs. Plus, they’re easy to edit and customize to your heart’s content.

Find your favorite template, and you’ll have everything you need to create a precious keepsake in no time!

Wedding Stationery Collections for Photoshop

Are you looking for a perfectly coordinated set of wedding stationery templates? The following collections have you covered with templates for save-the-date cards, invitations, RSVPs, menus, thank-you notes, and more. These professionally-designed templates will help you every step of the way.

Wedding Invitation Photoshop Templates

Invite friends and family in style with these beautiful wedding invitation templates. You’ll find everything from classic to modern looks here. Some packages come with extras, such as alternate styles and additional types of stationery.

Save the Date Card Templates for Photoshop

These save-the-date card templates are the perfect way to share happy news! Included are ready-to-mail postcards and standalone options. You’ll even find templates that use custom shapes. There’s something for every taste. Use your favorite to build anticipation for the big day.

Wedding RSVP Card Photoshop Templates

Dress up your RSVP cards with these stunning templates. There are great options whether you prefer to send a postcard or a traditional card in an envelope. Customize them to the happy couple’s specifications and start creating memories.

Wedding Thank You Card Photoshop Templates

These templates provide an elegant way to say “thanks” to guests. Type a message or, even better, handwrite something personal. It’s something loved ones will cherish for years to come. And it’s another way to mark a special event.

Wedding Photo Album Templates for Photoshop

A photo album is the perfect way to look back in time. Each of these Photoshop templates can be customized with your photography and text. Have an album professionally printed, and it can be passed on to each generation.

Create Beautiful Wedding Stationery

Establishing the perfect look for your wedding stationery project can be a challenge. There are so many types of documents and endless possibilities. Luckily, the Photoshop templates in this collection make your job much easier.

Find the options that interest you and start experimenting. Here’s hoping you create something that captures the magic of the day!

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