One moment, please…

I’m working on a refresh of my personal website, what I’m calling the HD remaster. Well, I wouldn’t call it a “full” redesign. I’m just cleaning things up, and Polypane is coming in clutch. I wrote about how much …

Clever Polypane Debugging Features I’m Loving originally…

Multiple Anchors

Only Chris, right? You’ll want to view this in a Chromium browser:
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This is exactly the sort of thing I love, not for its practicality (cuz it ain’t), but for how it illustrates a concept. Generally, tutorials …

Multiple Anchors originally published on CSS-Tricks, which is…

Two CSS Properties for Trimming Text Box Whitespace

The text-box-trim and text-box-edge properties in CSS enable developers to trim specifiable amounts of the whitespace that appear above the first formatted line of text and below the last formatted line of text in a text box, making the text …

Two CSS Properties for Trimming Text Box Whitespace originally…

What’s Old is New

I collect a bunch of links in a bookmarks folder. These are things I fully intend to read, and I do — eventually. It’s a good thing bookmarks are digital, otherwise, I’d need a bigger coffee table to separate them …

What’s Old is New originally published…

Two Ways to Create Custom Translated Messaging for HTML Forms

HTML forms come with built-in ways to validate form inputs and other controls against predefined rules such as making an input required, setting min and max constraints on range sliders, or establishing a pattern on an email input to check …

Two Ways to Create Custom Translated…

Anchor Positioning Quirks

I am thrilled to say, that from this week onwards, the CSS-tricks Almanac has an entry for each property, function, and at-rule related to the new Anchor Positioning API! For the last month, I have tried to fully understand this …

Anchor Positioning Quirks originally published on…

Time Travelling CSS With :target

Checkbox and radio button hacks are the (in)famous trick for creating games using just CSS. But it turns out that other elements based on user input can be hacked and gamified. There are very cool examples of developers getting creative with CSS games based on…

Time Travelling CSS With :target originally published on CSS-Tricks, which is…

MIT graduate programs empower the next generation of naval leaders

Designing a ship or submarine for the U.S. Navy requires an understanding of naval architecture, hydrodynamics, electrical and structural engineering, materials science, and more. That’s why the Navy works so closely with MIT, where some of the world’s foremost experts in each of those disciplines converge.

The largest among the graduate-level naval programs at MIT is the 2N Graduate Program in Naval Architecture and Marine Engineering. The three-year 2N program helps naval officers work at the intersection of different academic disciplines to design ships and submarines from the ground up and solve the complex technical problems that arise from completing missions on the sea.

“The 2N program is designed to take officers who have experience operating ships and submarines and get them the technical foundation they need to be technical leaders in the Navy,” says 2N Professor of the Practice Andrew Gillespy, who graduated from the program himself in 2008. “We’re building the next generation of ship and submarine designers for the U.S. Navy.”

The MIT-Woods Hole Oceanographic Institution (WHOI) Joint Program also enrolls naval officers, in its dedicated master’s program in oceanography and applied ocean science and engineering, where they work on Navy-related research ranging from autonomous vehicles to applied ocean science, physical oceanography, and more. While the 2N program, which was founded back in 1901, has been around a lot longer than the MIT-WHOI Program, naval officers were among the first graduates of MIT-WHOI in 1970.

“The Navy’s been with us from the beginning,” WHOI Senior Scientist Ann Tarrant says. “MIT’s various naval offerings really show the strong link between the institutions. It shows MIT’s commitment to doing research that is valuable to our nation’s security, and the high esteem the Navy places on MIT more broadly.”

At MIT, both the 2N and MIT-WHOI programs are housed within the Department of Mechanical Engineering; MIT-WHOI, which also offers a doctoral program, is jointly hosted by the Department for Earth, Atmospheric and Planetary Sciences. Still, the programs engage students and faculty from across the Institute.

“Our students work with pretty much every professor who touches ocean engineering,” Gillespy says. “One of the great parts about our program is the ability for the students to do one-on-one thesis work with the best professors in the world here at MIT. That is something that the Navy really, values.”

A century of training naval leaders

MIT was one of the first educational institutions to include oceanography in its curriculum and has played a leading role in advancing the discipline. The Department of Mechanical Engineering first offered a program in marine engineering and naval architecture in 1886, which led to the Department of Naval Architecture.

The program has changed names several times since then, but it can be mapped to today’s Center for Ocean Engineering, which continues to support the Navy and MIT’s naval programs through its research.

The 2N program was founded in 1901 and has been taught by active-duty faculty members for close to a century. Students in the program, who also include members of the U.S. Coast Guard as well as foreign naval officers, jump back into academia with two years of classes followed by an industry-sponsored design project.

“The program gives you a solid foundation in naval engineering and the leeway to study what’s interesting to you; this way you can bring new research back to the fleet,” says Adam Jay Pressel, who’s entering his third and final year in the 2N program. “Being a full-time graduate student and naval officer at one of the best universities in the world is probably the best job I’ll ever have.”

Gillespy notes that while the requirements for most MIT master’s students is 72 credits plus a thesis, 2N graduates earn around 300 credits over their three years.

The reason for the high course load is that 2N graduates get two master’s degrees, and the 2N Naval Engineer’s degree is earned by meeting both MIT and the Navy’s requirements.

“We encourage them to get the second degree in an area they’re interested in and really want to pursue,” Gillespy says. “We’ve had students working in electrical engineering on power systems, in mechanical engineering, and system design and management, which is the joint program with the business school and the engineering program. That program is great because we’re not just engineers. In the future, our students are going to be technical leaders, so getting that leadership and management expertise from the business school is great. But you probably can’t pick a course at MIT that we haven’t had somebody get a second degree in.”

The MIT-WHOI master’s program is usually a little over two years long and features coursework at WHOI and MIT followed by a master’s thesis. Naval students have worked on topics like ocean circulation, autonomous vehicles, and meteorology.

“Having naval officers really benefits our whole student body and program,” Tarrant says. “They have a lot of extremely valuable real-world experience, and they help us understand how the research we’re doing can make an impact in the Navy and on the world.”

Tarrant notes that many faculty members and researchers at both MIT and WHOI work on projects funded by the Navy, and naval officers bring valuable perspectives to that work.

“It helps us align the work we do with the Navy’s mission,” Tarrant says. “WHOI and MIT more broadly have a long-standing relationship with the Navy that really helps us.”

MIT leaves its mark

Naval officers’ work at MIT has gone on to make a huge impact on the Navy. Several students’ ship design and conversion projects from the 2N program have gone on to become actual ships the Navy builds. In 2019, 2N students worked on converting a massive destroyer called the DDG 1000 to accommodate hypersonic missiles. The students concept design showed it was feasible, and the Navy is actively overseeing that conversion now.

The graduates themselves have also gone on to assume leadership roles at every level of the Navy. The current program manager for a major Navy initiative designing a new class of submarines is 2N graduate Admiral Pete Small ’05, SM ’05, who previously taught as a professor of the practice at MIT.

“Our program has a really proud history of producing officers that are great leaders and have the technical foundation to lead highly advanced programs,” Gillespy says.

Gillespy says his own experience in the Navy has underscored the value of the 2N program. He and several other graduates of the program were responsible for designing the Columbia-class submarine, which is scheduled to go into service in 2031.

“Every day when we were designing the Columbia class submarine, we had the world’s experts in a particular area come in and present their design thoughts and what they’re working on, and being able to have intelligent conversations and push the program forward across all the disciplines was critical,” Gillespy says. “There wasn’t a course that I took here that I couldn’t trace back to a discipline that I was working on. My fellow officers echoed the sentiment of how well MIT prepared us to do submarine design.”

Tools for making imagination blossom at MIT.nano

The MIT community and visitors have a new reason to drop by MIT.nano: six artworks by Brazilian artist and sculptor Denise Milan. Located in the open-air stairway connecting the first- and second-floor galleries within the nanoscience and engineering facility, the works center around the stone as a microcosm of nature. From Milan’s “Mist of the Earth” series, evocative of mandalas, the project asks viewers to reflect on the environmental changes that result from human-made development.

Milan is the inaugural artist in “Encounters,” a series presented by STUDIO.nano, a new initiative from MIT.nano that encourages the exploration of platforms and pathways at the intersection of technology, science, and art. Encounters welcomes proposals from artists, scientists, engineers, and designers from outside of the MIT community looking to collaborate with MIT.nano researchers, facilities, ongoing projects, and unique spaces.

“Life is in the art of the encounter,” remarked Milan, quoting Brazilian poet Vinicius de Moraes, during a reception at MIT.nano. “And for an artist to be in a place like this, MIT.nano, what could be better? I love the curiosity of scientists. They are very much like artists … art and science are both tools for making imagination blossom.” What followed was a freewheeling conversation between attendees that spanned topics ranging from the cyclical nature of birth, death, and survival in the cosmos to musings on the elemental sources of creativity and the similarities in artistic and scientific practice to a brief lesson on time crystals by Nobel Prize laureate Frank Wilczek, the Herman Feshbach Professor of Physics at MIT.

Milan was joined in her conversation by MIT.nano Director Vladimir Bulović, the Fariborz Maseeh Professor of Emerging Technologies; Ardalan SadeghiKivi MArch ’22, who moderated the discussion; Samantha Farrell, manager of STUDIO.nano programming; and Naomi Moniz, professor emeritus at Georgetown University, who connected Milan and her work with MIT.nano.

“In addition to the technical community, we [at MIT.nano] have been approached by countless artists and thinkers in the humanities who, to our delight, are eager to learn about the wonders of the nanoscale and how to use the tools of MIT.nano to explore and expand their own artistic practice,” said Bulović.

These interactions have spurred collaborative projects across disciplines, art exhibitions, and even MIT classes. For the past four years MIT.nano has hosted 4.373/4.374 (Creating Art, Thinking Science), an undergraduate and graduate class offered by the Art, Culture, and Technology (ACT) Program. To date, the class has brought 35 students into MIT.nano’s labs and resulted in 40 distinct projects and 60 pieces of art, many of which are on display in MIT.nano’s galleries.

With the launch of STUDIO.nano, MIT.nano will look to expand its exhibition programs, including supporting additional digital media and augmented/virtual reality projects; providing tools and spaces for development of new classes envisioned by MIT academic departments; and introducing programming such as lectures related to the studio’s activities.

Milan’s work will be a permanent installation at MIT.nano, where she hopes it will encourage individuals to pursue their creative inspiration, regardless of discipline. “To exist or to disappear?” Milan asked. “If it’s us, an idea, or a dream — the question is how much of an assignment you have with your own imagination.”

Another Stab at Truncated Text

Seems like we’re always talking about clipping text around here. All it takes is a little browsing to spot a bunch of things we’ve already explored.

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Sep 19, 2012

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