Remedy Shares Development Updates For Control 2, Max Payne 1+2 Remake, And Codename Condor

Remedy Shares Development Updates For Control 2, Max Payne 1+2 Remake, And Codename Condor

Remedy has provided updates on its portfolio of upcoming titles via a quarterly business review. In addition to painting the overall financial health of the studio, the report shares details on the current development state of Control 2, Max Payne 1+2 Remake, the Control multiplayer spin-off Codename Condor, and more.

According to the report, the Control 2 team is “focused on finalizing the proof-of-concept stage, in which the game world, game mechanics and visual targets are proven.” The project is expected to move into the production readiness stage in Q2 of this year. Control 2 was first announced in 2022. 

Max Payne 1+2 Remake, first announced in 2022 as a rebuilt version that combines both PS2 games into a single title, remains in the production readiness stage, as first announced last October. However, the game is expected to enter full production in Q2 2024.

Codename Condor has entered full production. Remedy describes its core loop as “engaging” and that “the game brings a unique Remedy angle to the genre.” Codename Kestral, Remedy’s other multiplayer title described as a “premium game with a strong, cooperative multiplayer component”, remains in the concept stage. 

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Remedy also shares that Alan Wake 2 has sold 1.3 million units as of early February, recouping a “significant” chunk of its development and marketing expenses in the process. The development team continues to work on its upcoming expansions, Night Springs and Lake House. 

Following Remedy’s acquisition of the rights to Control from publisher 505 Games in February, the studio is now free to do what it wants with the IP. CEO Tero Virtala states, “We are currently weighing self-publishing and related business models. Simultaneously, we are actively looking into different partner publishing models and evaluating potential partners.” Remedy also expects to have two projects in full production simultaneously, stating “We are confident that the good progress of the beginning of the year carries over to the full production stages.”

You can read our review of Alan Wake 2 here and for Control here

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Hive Wins Best Remote Production Product of the Year at NAB – Videoguys

Hive Wins Best Remote Production Product of the Year at NAB – Videoguys

Pioneering Excellence at NAB
At this year’s NAB Show, the spotlight was on PTZOptics’ Hive, which clinched the “Best Remote Production Product of the Year.” This prestigious accolade highlights Hive’s innovative approach, blending state-of-the-art camera control with efficient cloud-based operations to transform remote video production. In this article, we dive into the key features that garnered Hive this top honor, illustrating its pivotal role in advancing remote production capabilities and setting industry benchmarks for quality and flexibility in video production.

Centralized Control for Streamlined Workflows
Hive by PTZOptics dramatically enhances remote video production workflows through its centralized control system. This platform enables teams to synchronize seamlessly, whether they are on-site or dispersed across different locations, bringing everyone onto the same page in real-time. By embedding these capabilities directly into PTZOptics cameras, Hive eliminates the need for additional hardware, making setup quicker and reducing the complexity typically associated with remote productions. This not only boosts efficiency but also opens up creative avenues, allowing producers to focus on crafting superior content.

Hive-Linked Hardware: A Seamless Integration
The PTZOptics Hive system marks a significant leap forward by embedding essential control features directly into the cameras. This integration facilitates instant access to cloud-based controls without the necessity for extra hardware or software, streamlining the setup process. Such direct integration not only simplifies the technical side of video production but also enhances reliability, ensuring that producers can focus on creativity and content delivery without technical distractions.

Advanced Camera Control: Remote Mastery
PTZOptics Hive elevates remote video production with unparalleled camera control capabilities accessible from any global location. Its suite of advanced tools for framing and color correction empowers operators to optimize visual output effortlessly. With features designed to automate complex camera movements, Hive ensures cinematic quality is easily achievable, even in dynamic filming environments. This level of control is essential for maintaining broadcast quality from afar, making Hive a critical tool for any remote production setup.

Innovative Features: Enhancing Production Dynamics
Hive’s innovative features significantly enhance the capabilities of remote video production. The platform integrates cutting-edge tracking algorithms and facial recognition technology, providing industry-leading performance across any PTZ camera brand. These features allow for precise auto-tracking and automated camera movements, simplifying complex shot compositions. Additionally, Hive’s real-time color adjustments and advanced color matching tools ensure a consistent and professional look across multiple camera feeds, elevating the overall production quality.

Cloud Control and Low Latency: Effortless Remote Management
PTZOptics Hive revolutionizes remote production with its cloud control capabilities, ensuring seamless management of camera settings from any global location with impressively low latency. Sub-300ms latency rates make adjustments almost instantaneous, mirroring the responsiveness of on-site control. This crucial feature supports real-time decision-making during live broadcasts, enhancing the production’s overall flow and reducing the challenges typically associated with remote video setups.

Enhanced Connectivity and Compatibility: Bridging Devices and Platforms
Hive’s connectivity and compatibility features significantly broaden the scope of its utility in remote production. Supporting RTMP streaming, Hive enables direct live broadcasts to platforms like YouTube, Facebook, Twitch, and others, facilitating wider audience engagement. Additionally, its compatibility with NDI® outputs allows for integration into popular production software like OBS and vMix. This flexibility makes Hive an ideal solution for a variety of production scenarios, accommodating a vast array of equipment and enhancing workflow efficiency across different brands and technologies.

User-Friendly Interface and Customization: Streamlining Control
Hive’s user-friendly interface is designed to simplify the complexities of remote production. It accommodates various camera makes and models, ensuring a smooth, intuitive control experience for users. The customization features are equally impressive, offering the ability to set up personalized hotkeys and control interfaces, whether using an Xbox controller or StreamDeck. This adaptability enhances the operational efficiency of productions, allowing quick, tailored adjustments that fit the specific needs and preferences of the production team.

Conclusion: Setting New Standards in Remote Video Production
PTZOptics’ Hive has not only won accolades but has also fundamentally changed the landscape of remote video production. By seamlessly blending advanced camera control, cloud-based operations, and user-friendly interfaces, Hive enables broadcasters to produce high-quality content from anywhere in the world. Its innovative features, like real-time tracking and color correction, support dynamic and professional productions, making it a pivotal tool for industry professionals looking to push the boundaries of what remote production can achieve. Thank you to Paul Richards from PTZOptics for giving us this in depth look at Hive.

Learn more about PTZOptics Hive below:

Learn more about PTZOptics below:

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Things That Keep the Grumpy Designer Awake at Night

I’ve learned many lessons in my years as a grumpy designer. One is to try and separate work from the rest of your life. It’s a healthy practice – one that leads to (slightly) less stress.

But, try as I might, certain things stick with me. Things that stay at the front of my mind all day and night. This vicious cycle results in less sleep and more grump. Yes, that’s wonderful for inspiring columns. Not so good for the soul, though.

I’m willing to bet that others are facing the same issue. The growing complexity of web design is making it harder to relax.

Feeling better starts with sharing. So, allow me to dig into the depths of my psyche. The following is a look at web-related issues that keep me up at night. Make a cup of coffee and join me on this nerve-wracking journey.

The Never-Ending Quest for Web Security

Security has long been a thorn in our sides. We can build websites in any number of ways. However, they all seem to be a target for malicious actors.

I work primarily with WordPress. I love the flexibility it offers. But securing these sites is a constant battle.

Hackers have numerous points of attack. They might take advantage of a plugin vulnerability. Or they might crack a weak password. They’re even stealing session cookies these days.

WordPress isn’t alone in the struggle for security. But working with it each day seems to magnify the issue. It has become a constant presence in my mind.

Sometimes, the situation feels hopeless. You plug one security hole – only to see another one pop up. Cleaning up a hacked site is tedious at best. Plus, the thought of data theft is enough to make anyone nervous.

Perhaps the answer lies in not going it alone. Web security is a vast subject. Threats continue to evolve. Thus, working with expert tools (and humans) is worth the price.

Even so, security issues make it harder to fall asleep.

Things That Keep the Grumpy Designer Awake at Night

The Always-on Work Culture of a Web Designer

Remember my goal of separating work and life? I’m terrible at it. Sure, I do well enough during slow times. But I drown when things get busy.

The web industry has a 24/7 work culture that’s hard to escape. A website won’t wait until business hours to break. Most clients won’t consider the clock when making a request, either.

It used to be easier to get away. Before smartphones, you could leave your desk and inbox behind.

I can recall vacationing in places that had no internet access. I could go an entire week without email. How quaint!

Good luck avoiding your inbox these days. You’ll need self-discipline and clients who can temporarily live without you.

Yes, I try to turn my brain off. I’ll even abstain from replying to an email – for a while. Eventually, my brain gets the best of me. Things stay on my mind until I address them. So, why not respond?

That makes sense on the surface. It doesn’t lead to much peace after hours, though.

Online culture makes it difficult to get away from work.

The Things Out of My Control

Web designers can only control so much. Security is one example – but there are others. Modern websites tend to rely on third-party providers.

That covers everything from web hosting to SaaS (software as a service) to plugins. We may get to choose which tools to use. But we must also trust them to deliver.

What happens when something goes wrong? We might be able to contact a support person. However, some providers take days to respond. Plus, some companies are using chatbots as their first point of contact. Navigating these tools is no picnic.

The result leaves us stuck in the middle. Our clients want to know what’s going on. Meanwhile, we can only rely on what the provider tells us. A lack of communication can be frustrating and worrisome.

It’s about more than downtime, though. Sometimes, a product makes a significant change that impacts your website. Things may not work the way we (or our clients) expect. That leaves us scrambling to figure it out.

Gmail’s recent bulk-sender policy changes are an example. The change’s impact went beyond my expectations. That led to a lot of rushing around to fix email deliverability issues.

Sure, we can try to prepare for the inevitable. But sometimes, all we can do is react.

The Expectations of Clients and Myself

Expectations can keep any web designer up at night. Clients are asking more from us. They want high-end features in exchange for bargain-bin pricing.

That leads us on a wild goose chase. The quest to be faster, cheaper, and better. How do we squeeze in more projects in the same timeframe?

The expectations we have for ourselves are also a burden. I pride myself on getting things done. I want to create the layouts, pick the colors, and write the code. It’s the way I’ve done things for over two decades.

That’s becoming harder, though. The right tools can help. But there’s still a massive responsibility to do the job right.

Part of this may be cultural. Growth is expected and encouraged. After all, who wants to stay the same?

We don’t prioritize comfort nearly enough. Doing so may be perceived as accepting the status quo. Nobody wants to look like they’re stagnating.

All told, this adds to the pressure we feel. We must move onward and upward, regardless of the consequences.

There are great expectations placed on web designers.

Making Sense and Making Peace

So, what lessons have I learned? That was the point of writing this down, right?

I think web designers need to create boundaries – and stick to them. Otherwise, it’s too easy to get pulled into that vicious cycle. It’s hard – but better than the alternative.

Self-forgiveness is also a factor. It’s OK if you don’t know how to do something. There’s no shame in needing extra time to complete a project.

Sometimes, we’re harder on ourselves than any client could be. So, permit yourself to be imperfect. Give yourself some grace. None of us go through life without experiencing adversity.

Finally, don’t let your job become your only source of identity. It took me a while to understand that advice. But we all need time away from the online world.

Will the things above still keep me awake? I’m betting that they will. Perhaps it’s better to accept it instead of fighting it. Tomorrow can always be better.

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