Unlocking Canon’s Latest PTZ Camera Firmware with All New Features – Videoguys

Unlocking Canon’s Latest PTZ Camera Firmware with All New Features – Videoguys

On This Week’s Videoguys Live, James is introducing the new PTZ firmware updates from Canon. This update brings free auto-tracking available to all Canon PTZ Cameras as well as other great new features.

Watch the full video below:

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Canon PTZ Camera Family

New Firmware Updates

  • FREE Auto-tracking Now Included with all Cameras
  • Improved Color Enhancements & Low Light Capabilities
  • Improved Camera Control Experience
  • Plus new features & capabilities added to the Canon RC-IP1000 controller

FREE Auto-Tracking Included Now on all PTZ Camera Models

  • The free version has limited options available, but still retains excellent tracking performance
  • Users who need detailed tracking configurations and tuning should purchase the full Auto Tracking license

Free Auto Tracking Feature Summary

  • Subject Auto Detect
  • 2 Subject Display Sizes (2&4 only)
  • Subject Loss Action
  • Prohibited Tracking Area

Fixed Values

  • Subject will always be in the middle
  • Auto Zoom is always on
  • Sensitivity is Level 9 (out of 10)
  • Tracking start time is 0 seconds (right away)
  • Tracking Selection Area is full screen
  • Tracking will always resume after manual operation

Auto Tracking Subject Improvement

  • When multiple people are in the camera’s view, it is possible to lose tracking if the subject’s face (head-CR-N700) being tracked is temporarily blocked by another person. Auto Tracking is improved to better handle temporary loss of a subject face/head.

Smoother Auto Tracking Start and Stop

  • Improvements have been made to allow a smoother start and stop.

Support for Prohibited Tracking Areas

  • Added ability to specify an area to stop tracking. Once the tracked target enters this area, the tracking tops. Can be useful for situations such as presentations where multiple speakers will stand to present, and then sit afterwards.

Improved Subject Composition Adjustment

  • Currently, small changes to the silhouette would not trigger any camera movement.
  • New firmware algorithm will ensure camera movement even with very small silhouette adjustments

More Exciting New Features

  • USB Webcam – UVC Output Improvements 
  • Pan / Tilt Operation Range Limiter
  • Enhanced Focus / Zoom Speed Resolution
  • S/N Priority – Improved Strong Noise Reduction 

USB Webcam – UVC Output Improvements

  • The UVC (USB Video Class) output performance of the CR-N100 and CR-N300 will be improved, and additional output in YUV format will be supported

Pan / Tilt Operation Range Limiter

  • Specify a Pan / Tilt movement limit to protect against moving the camera too far off subject

Enhanced Focus / Zoom Speed Resolution

  • The current 16 zoom speed steps (24 steps for the CR-N700) will be expanded to 128 steps, and the current 3 focus speed steps will be expanded to 64 steps.

S/N Priority – Improved Strong Noise Reduction

  • For 1/2.3” Sensor cameras (CR-N100, CR-N300, CR-X300), there was noticeable noise when shooting in lower light environments due to the automatic noise reduction not being strong enough, which is normally addressed by manually assigning a stronger noise reduction setting. The new SN Priority Mode will make it easier to apply strong noise reduction.

SMPTE Color Bars

  • Available on CR-N700 and CR-X300
  • Now Available on CR-N100, 300 and 500!

Increased available Clear Scan Resolutions

  • On the CR-N700, available clear scan resolution will be increased from 256 to 768 available resolutions, to match frequencies available in Cinema/Pro Video products.

RC-IP1000 Updates

  • Support for outputting 2×2 and 3×3 multi-display IP preview screens​​
  • Touch Preset Thumbnail Images​
  • Waveform Monitor and Vector scope Display​
  • Auto Tracking Controls​
  • Copy Camera Settings

LaCie Rugged SSD and SSD Pro Storage Solutions – Videoguys

LaCie Rugged SSD and SSD Pro Storage Solutions – Videoguys

Built to roam, built to play. Our durable lineup of Rugged NVMe SSDs are ready to explore. Built forward-compatible up to USB 40Gbps and Thunderbolt 4, these rugged drives are engineered to handle a broad range of creative production demands. Vloggers, videographers, freelancers, indie filmmakers, even weekend warriors—we’ve got you covered

  • Transfer and edit RAW 4K video with speeds of up to 1050MB/s
  • USB Type-C interface is universally compatible
  • Enjoy extreme ruggedness with an IP67 waterproof rating
  • Trek anywhere with 3-meter drop and two-ton car crush resistance
  • Protect projects with Seagate Secure encrypted USB drive technology
  • 5-year Rescue Data Recovery Services

Level Up Your 4K Video Project
Give your workflow a substantial boost with Rugged SSD. With speeds 2× faster than traditional SATA SSDs, this encrypted USB drive uses Seagate FireCuda NVMe SSD performance to maximize USB 3.1 Gen 2 throughput while delivering IP67 waterproof strengt


  • Sprint ahead with Thunderbolt 3 SSD speeds of up to 2800MB/s

  • Use it seamlessly with USB 3.1 Gen 2 devices

  • Enjoy extreme ruggedness with an IP67 waterproof rating

  • Trek anywhere with 3-meter drop and two-ton car crush resistance

  • 5-year Rescue Data Recovery Services

Harness 6K Video and Beyond
Rugged SSD Pro fuses the blazing-fast Seagate FireCuda NVMe SSD with a Thunderbolt 3 interface, unleashing speeds 5× faster than traditional SATA SSDs so that you can play back and render the most demanding high bit rate RAW content—like 6K, 8K, and super slo-mo source files.


Rugged SSD

Rugged SSD Pro

Special Features

Hardware encryption, ultra small & extreme ruggedness

Ultra-fast and small, extreme ruggedness

Storage Type

Max Speeds

Works With

  • USB 40Gbps
  • USB 20Gbps
  • USB10Gbps
  • USB5Gbps
  • ThunderboltTM 4
  • ThunderboltTM 3
  • USB 40Gbps
  • USB 20Gbps
  • USB10Gbps
  • USB5Gbps
  • ThunderboltTM 4
  • ThunderboltTM 3

Drop Resistance

Crush Resistance

Environmental Resistance

IP67 rated: water/dust

IP67 rated: water/dust

Hardware Encryption

Incl. Cables & Adapters

USB-C (USB 3.1 10GB/s)

Thunderbolt 3

Limited Warranty

Data Recovery Services

Videoguys Studio Renovations | The Show Must Go On! – Videoguys

Videoguys Studio Renovations | The Show Must Go On! – Videoguys

On this week’s Videoguys Live, James is discussing what led to us renovating the Videoguys Studio and how important it is to have a backup plan for your broadcasts and to be ready for anything. Tune in for some great information and valuable tips.

Watch the full video below:

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Things We Learned While Redesigning Our Studio

Why we choose​ LVP Vinyl Flooring

  • No Static Electricity
  • Good sound absorption
  • Padding under feet
  • Easy to clean
  • Scratch Resistant
  • Bonus – Looks Great!

For Walls Not on Camera:

  • Get sound absorbing Padds/Curtains
  • Help absorb sound and reduce echo
  • Use dark colors to reduce light bounce

For Green Screen:

  • Get chroma Key Green Paint
  • High Saturation helps with Keying
  • Matte finish reduces Reflection/ Spill

Alternate Setup – YoloBox Ultra

  • YoloBox Ultra
  • 1 Camera (we used a camcorder with HDMI output)
  • NDI Screen Capture

YoloBox Ultra

  • Encoder, Monitor, Switcher & Recorder
  • Widescreen & Vertical Orientations
  • Stream to Facebook, YouTube, RTMPs, & more for widescreen
  • Stream to Instagram & TikTok vertical
  • 4 HDMI Inputs
  • 4K Streaming
  • ISO Recording
  • 8″ Display
  • NDI (additional $99 fee from YoloLiv)

Alternate Setup – Makeshift Studio

  • TriCaster in One room
  • 2 guests joined teams and we pulled in NDI feeds
  • Tech Tip: Any empty room can be turned into a studio!

​LiveU Solo Pro

High performance  ​

  • Up to 4Kp60 full video resolution
  • Up to 20Mbps streaming

Exceptional Quality 

  • Leave a mark with the most engaging content

4K Quality

  • Up to 3840×2160
  • More pixels = sharper image
  • 4K is future proofing

OWC Envoy 1TB Ultra-Portable NVMe SSD – Videoguys

OWC Envoy 1TB Ultra-Portable NVMe SSD – Videoguys

In his article for TechRadar, Alastair Jennings evaluates the OWC Envoy 1TB portable SSD, emphasizing its high performance, reliability, and affordability for creatives and business professionals. This ultra-portable NVMe SSD offers a perfect blend of performance, capacity, size, and flexibility, making it an excellent choice for the pro market.

Sleek Design and Durable Build
The OWC Envoy 1TB impresses with its sleek, palm-sized design and aircraft-grade aluminium housing. This durable build provides essential heat dissipation, preventing thermal throttling during intensive tasks such as video editing. The SSD features a single USB Type-C connector, ensuring a simple and straightforward setup. It comes pre-formatted with Apple File System (APFS) for immediate use with Mac devices but can be easily reformatted for Windows devices using OWC’s free Drive Guide or other software.

Impressive Performance
Jennings’ performance tests on a MacBook Pro M1 Max revealed read speeds of 826MB/s and write speeds of 961MB/s using the AJA System Test Lite. The ATTO Disk Benchmark recorded read speeds of 946.36MB/s and write speeds of 1010MB/s. Reformatting to ExFAT for use with an Intel NUC resulted in even better performance, with read speeds of 1036.84MB/s and write speeds of 1041.76MB/s on CrystalDiskMark. This high performance makes the OWC Envoy 1TB ideal for various uses, especially for creatives who need a reliable drive for intensive tasks like video, photo, and audio production.

Versatility and Compatibility
The OWC Envoy 1TB’s compact size allows for easy attachment to a wide range of devices, expanding internal storage. It is compatible with Macs, iPads, PCs, Android tablets, smartphones, cameras, and more. This versatility makes it perfect for on-the-go professionals who need reliable, high-speed storage.

Conclusion
Overall, the OWC Envoy 1TB is a superb portable SSD that delivers on performance. Its combination of speed, portability, and rugged design makes it an excellent option for creative professionals. If you’re looking for a high-performance portable SSD, the OWC Envoy 1TB is a top contender.

Read the full article by Alastair Jennings for TechRadar HERE

Matrox ConvertIP Enables ST2110 for the Sphere in Las Vegas – Videoguys

Matrox ConvertIP Enables ST2110 for the Sphere in Las Vegas – Videoguys

In this article from Matrox, they give an overview about how Fuse Technical Group created a one-of-a-kind experience with Matrox Video Technology for the Lax Vegas Sphere. Las Vegas has unveiled a cutting-edge live entertainment venue with a stunning technological setup. Las Vegas has unveiled a groundbreaking live entertainment venue that redefines the concert experience through cutting-edge technology and immersive design. This state-of-the-art venue boasts a 580,000-square-foot LED exterior and an unparalleled 160,000-square-foot, 16K resolution wraparound LED screen inside. Combined with a spatial audio system and 4D physical effects, it offers showgoers an immersive audio-visual spectacle like no other.

A Legendary Debut

In September 2023, a legendary musical act inaugurated this remarkable venue with a residency, delivering the first-ever show. Behind the scenes, multimedia system designer Fuse Technical Group played a pivotal role in bringing this vision to life. Fuse is renowned for their expertise in creating awe-inspiring video and lighting systems, LED solutions, media servers, control systems, and more for various events worldwide.

Advanced ST 2110 Workflow for 16K Video Outputs

For this groundbreaking residency, Fuse Technical Group developed an advanced video playback system capable of handling 16K resolution, augmenting live input across 16K over a complete SMPTE ST 2110 IP backbone. This system was designed to deliver stunning visual elements throughout the show, setting a new standard for live entertainment.

Overcoming Technical Challenges with Expertise

The development of this system required Fuse to leverage their extensive experience in SDI and event production. The content feeding the screens operated on ST 2110 at 4K (4096 x 2160), necessitating 26 4K outputs to drive the entire system. This setup allowed for dynamic live input placement on the LED canvas, creating an immersive visual experience for the audience.

“Working with ST 2110 is very different from working with SDI,” said Ryan Middlemiss, Fuse Technical Group’s director of media servers. “ST 2110 offers limitless distribution capabilities, but it also presents unique challenges.”

Partnership with Matrox Video

To navigate these challenges, Fuse turned to Matrox Video for their expertise in ST 2110. Matrox provided critical hardware and software solutions, including ConductIP for routing and orchestrating ST 2110 sources, and ConvertIP devices to convert high-resolution SDI into ST 2110. This partnership ensured low latency, 25G network speeds, and 2022-7 redundancy, meeting the high demands of the project.

“The support from Matrox Video was crucial,” Middlemiss noted. “Their responsiveness and engineering support, especially with last-minute changes, were key to our success.”

Efficient Remote Operation with Matrox Extio 3

The live production system included 30 computers, operated remotely by a programmer and two technicians using Matrox Extio 3 IP KVM extenders. This setup allowed them to control multiple monitors and computers efficiently from a single workstation, significantly enhancing operational efficiency during the show.

“Extio 3 empowers the techs and the programmer to be as efficient as possible,” said Middlemiss. “Its efficiency is incredibly valuable, especially when there’s no time to spare.”

Conclusion

Las Vegas’ next-generation entertainment venue sets a new standard for live shows with its advanced technology and immersive design. The collaboration between Fuse Technical Group and Matrox Video demonstrates the power of combining expertise and innovative solutions to create unforgettable experiences. Concertgoers are treated to the audiovisual experience of a lifetime, showcasing the future of live entertainment.

Read the full article from Matrox HERE


Learn more about Matrox below:

NBC will leverage NDI, HDR, ST 2110 and REMI workflows for 2024 Olympi – Videoguys

Bob Kovacs, former Technology Editor for TV Tech recently wrote an article for TV Technology “NBC Rises to the Tech Challenges of the 2024 Olympics.” Kovacs highlights how NBC will leverage NDI, HDR, ST 2110 and REMI workflows to broadcast the 2024 Olympics.

According to Darryl Jefferson, senior vice president of engineering and technology for NBC Olympics and Sports, NBC, the official U.S. broadcaster for the Olympic games has been working for almost two years in both Paris & the NBC Sports Hub in Stamford, Connecticut to ensure a broadcast that is swifter, higher and stronger.

This will be Jefferson’s first games as head of NBC Olympics’ tech operations. Jefferson has been with NBC Olympics since 2008 in Post Production and Asset Management teams. 

“We started design and peer review about 20 months ago, with build, configure and test in our integration facility. We tested video paths, workflows, delivery mechanisms and failure modes all before items shipped out. We ship gear mostly pre-configured, pre-installed, and pre-tested, for both speed of deployment and for peace of mind.”
Darryl Jefferson

The Broadcast is going to be complex, with numerous venues and the the need to integrate feeds from the primary Olympics video system. There are a lot of moving parts. Their goal is for viewers to experience a seamless broadcast. So seamless viewers won’t notice that many of the on-air talent is in Stamford, while the bustle is happening in Paris. 

“The biggest leap is splitting large parts of our team between Paris and Stamford. Transporting large quantities of cameras, effects gear and studios full of equipment all the way home has historically not been financially viable. In some cases, the latency was unacceptable. That split approach allows us to cover more sports with fewer total people traveling than just a few Games ago.”
Darryl Jefferson

NBC will leverage NDI, HDR, ST 2110 and REMI workflows for 2024 Olympi – Videoguys

Darryl Jefferson (Image credit: NBC)

NBC Is prepared to give the viewers a seamless broadcast with the revolution in connectivity and capability.

“With new tools, robust networks, capacity with cloud infrastructure, and the ability to approach signal transport differently, there exists a whole host of new options today”
Darryl Jefferson

The Oylmpics will be broadcasted in 4K/HDR and 5.1.4 immersive audio. Jefferson says “It may be a tie between getting HDR support everywhere we may need it, and the large cut over to support IP in many places. Although we’ve had important experience with both, there exist so many devices, solutions, vendors and third parties that do not support wide color gamut today, or equipment through which color information doesn’t survive.”

One of NBC’s most basic decisions assembling a system of this size is where to use the SMPTE ST 2110 IP video standard and where to use the older SMPTE SDI standard. “We have a healthy mixture of both, but are about 60% ST 2110 handoff, venue and core orchestration,” Jefferson said. “In some cases, we support both formats within a Tech Center, or gateway translation to convert one to the other. Fortunately, we have spent the last few Games [since Tokyo] making the transition over time, and certainly learning all the lessons.”

In addition to SDI and ST 2110, NBC is also using some NDI. “We are using NDI in some areas, specifically NDI v6, with support of HDR and enhanced audio,” Jefferson said.

“We have a whole trove of new technology, some of which is well behind the camera [ST 2110 and Dante, HDR and ATMOS everywhere], new encoding mezzanine formats, and also a good deal of enhancements to bring viewers further behind the scenes. Backstage cameras, audio from coaches, cameras in the stands with families, even biometrics on family and coaches. The goal of all this technology is to bring more elements of storytelling around each athlete’s journey.”
Darryl Jefferson

Check out the full article here!

The Friday Roundup – Light Diffuser Hack and YouTube Views

Using a Plastic Dust Sheet as a Diffuser?! I am all for D.I.Y solutions to video shooting problems and in my world, the cheaper the better! So I came across this video tutorial for using a cheap plastic dust sheet in a photographic situation and it…

Atomos Ninja Ultra Camera to Cloud workflow success story – Videoguys

Atomos Ninja Ultra Camera to Cloud workflow success story – Videoguys

TIDE Media’s creative Manager, Gareth Bartlett recently used Atomos’ Camera to Cloud offering to speed his onset and post production workflow. Bartlett works on some of the world’s biggest projects for marine & adventure brands. His day to day consists of managing videographers at international boat shows to filming models and lavish boats in spectacular locations such as Monaco, Palma and Norway. When he needed to turn around content the same day for social media that’s when he turned to Atomos

Bartlett and his team have a lot to consider since they work in different locations and climates. They need a solution that offers high quality images. The TIDE team uses Sony FX3 cameras, finding the combination of full-frame sensor and wide dynamic range ideal for capturing content on the go and the Atomos Ninja Ultra. “Gareth takes full advantage of the monitor-recorder’s high definition display to review footage and check image focus,” says Atomos. 

“Quality, portability and size of the monitor are all practical wins but being able to see the bigger picture makes me feel more confident in my job, securing the best shots for clients.”
Gareth Bartlett

The Ninja Ultra’s built-in monitoring features, such as frame guides and zoom control allow Bartlett to make quick changes in a touch of a button, which is important when he is constantly capturing wide and vertical shots. 

“We often need to capture content in different aspect ratios, so we’ll film in 16:9 but use the on-screen 9:16 overlay to frame and crop shots. This feature is a big one for us as it takes a lot of guesswork out of the shoot.”
Gareth Bartlett

The storage the Ninja brings is also a great addition to Bartlett’s workflow

“At boat shows we can shoot hundreds of boats each year, generating hours of content, so being able to record onto SSD is a massive benefit. We now shoot and edit from the same SSD – it’s another way we’ve removed the offloading process to speed up what we do.”
Gareth Bartlett

The TIDE team used the Atomos Connect module and Camera to Cloud (C2C) to send footage from boat shows wirelessy to their off-site editing suite. This feature was extremly valuable to them during this shoot. 

“Camera to Cloud allows us to shoot continuously while the footage is sent directly to editors in the press centre who can start putting the clips together. This allows TIDE Media’s sister publications, Powerboat and Rib magazine, to share the latest content to social media within the hour. The whole system works seamlessly to help us get footage quickly to the edit suite and through to social media in record time.”
Gareth Bartlett

Check out the full article here!

Learn more about Atomos here!

 

Tech Advice and Top Tech Tips from Videoguys – Videoguys

Tech Advice and Top Tech Tips from Videoguys – Videoguys

On this episode of Videoguys Live, James goes over some frequently asked questions by our viewers and gives you his advice and best tech tips for your live production! Topics for this week include, which NETGEAR Pro AV Switch is right for you, options for wireless production, and what you should consider when building a new production studio.

Watch the full video below:

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What NETGEAR Switch is Right For Me?​

  1. Engineered for AV over IP​
  2. Netgear is committed to ProAV​
  3. Easy to Configure (GUI)​
  4. Presets for NDI HX & NDI 5​
  5. Recommended by all of our partners:​ PTZOptics, Vizrt, Birddog etc​

Terms to Know

PoE (Power over Ethernet)

  • PoE – 15.4 Watts
  • PoE+ – 30 Watts
  • PoE++ – 60-100 Watts depending on version

TPD (Total Power Delivery)

  • The maximum amount of power a switch can deliver
  • A PoE+ switch with 60 watts TPD can only power 2 PoE+ cameras, no matter how many ports it has

SFP (Small Form-Factor Pluggable Transceiver)

  • Commonly used for optical network connection, but can be copper
  • Allows for port flexibility 
  • SFP – operates @ 1Gbps
  • SFP+ – operates @ 10Gbps

NETGEAR M4250 Series Network Switches built for NDI

  • 8x1G PoE+
  • TPD 110W
  • 1x1G 
  • 1xSFP

  • 8x1G PoE+
  • TPD  220W
  • 2xSFP+

What Options Are There For Productions Using NDI Over Wi-Fi?

Kiloview Wireless NDI Encoders with Enhanced Wi-Fi

1080p60 HDMI
Wireless NDI|HX
Encoder

1080p60 3G-SDI 
Wireless NDI|HX
Encoder

Atomos Connect

Atomos Connect shares your creative vision with your team worldwide and upgrades your Ninja’s I/O with 12G-SDI to HDMI cross-conversion, Wi-Fi 6 (6E for Ninja Ultra) and 1GbE Ethernet, wireless NDI networking and timecode synchronization.

Atomos Connect includes a 12G SDI interface for a wide range of professional SDI-equipped cameras, adding to the already huge range of HDMI-supported by the Ninja and Ninja Ultra. The SDI input can also cross convert a signal to the HDMI output, for additional workflow options.

Atomos Connect is compatible with…

JVC Pro GY-HC500SPCU​ 4K Connected Camcorder with Sports Overlays with NDI|HX​

  • 10-bit ProRes 422/422HQ/422LT at 4K resolution and 50/60p frame rates
  • recording to M.2 SSD**
  • 4K UHD 30p/25p/24p 4:2:2 10-bit / 4:2:0 8-bit (150Mbps) and various HD recording to SDHC/SDXC card*
  • HDR recording, HLG or J-Log1 (10-bit)
  • 1-inch (effective) CMOS sensor with high picture quality

BirdDog X1 and X1 Ultra PTZ Cameras

X1 Features:

  • 1080/60p
  • 20X Zoom
  • Tally Light
  • AI Auto Focus tracking
  • HDMI/USB/IP
  • NDI HX3
  • WiFi Connection
  • E-ink Label
  • Integrated NDI HX decoder
X1 Ultra Features:

  • 4K/30p
  • 12X Zoom
  • Tally Light
  • AI Auto Focus tracking
  • HDMI/USB/IP
  • NDI HX3
  • WiFi Connection
  • E-ink Label
  • Integrated NDI HX decoder

Things We Learned While Redesigning Our Studio

Typically, We talk about Lighting and Video gear.​ Let’s talk about Floors and Walls today!

Why we choose LVP Vinyl Flooring

  • No Static Electricity
  • Good sound absorption
  • Padding under feet
  • Easy to clean
  • Scratch Resistant
  • Bonus – Looks Great!

For Walls Not on Camera:

  • Get sound absorbing Padds/Curtains
  • Help absorb sound and reduce echo
  • Use dark colors to reduce light bounce

For Green Screen:

  • Get chroma Key Green Paint
  • High Saturation helps with Keying
  • Matte finish reduces Reflection/ Spill