The future of motorcycles could be hydrogen

MIT’s Electric Vehicle Team, which has a long record of building and racing innovative electric vehicles, including cars and motorcycles, in international professional-level competitions, is trying something very different this year: The team is building a hydrogen-powered electric motorcycle, using a fuel cell system, as a testbed for new hydrogen-based transportation.

The motorcycle successfully underwent its first full test-track demonstration in October. It is designed as an open-source platform that should make it possible to swap out and test a variety of different components, and for others to try their own versions based on plans the team is making freely available online.

Aditya Mehrotra, who is spearheading the project, is a graduate student working with mechanical engineering professor Alex Slocum, the Walter M. May  and A. Hazel May Chair in Emerging Technologies. Mehrotra was studying energy systems and happened to also really like motorcycles, he says, “so we came up with the idea of a hydrogen-powered bike. We did an evaluation study, and we thought that this could actually work. We [decided to] try to build it.”

Team members say that while battery-powered cars are a boon for the environment, they still face limitations in range and have issues associated with the mining of lithium and resulting emissions. So, the team was interested in exploring hydrogen-powered vehicles as a clean alternative, allowing for vehicles that could be quickly refilled just like gasoline-powered vehicles.

Unlike past projects by the team, which has been part of MIT since 2005, this vehicle will not be entering races or competitions but will be presented at a variety of conferences. The team, consisting of about a dozen students, has been working on building the prototype since January 2023. In October they presented the bike at the Hydrogen Americas Summit, and in May they will travel to the Netherlands to present it at the World Hydrogen Summit. In addition to the two hydrogen summits, the team plans to show its bike at the Consumer Electronics Show in Las Vegas this month.

“We’re hoping to use this project as a chance to start conversations around ‘small hydrogen’ systems that could increase demand, which could lead to the development of more infrastructure,” Mehrotra says. “We hope the project can help find new and creative applications for hydrogen.” In addition to these demonstrations and the online information the team will provide, he adds, they are also working toward publishing papers in academic journals describing their project and lessons learned from it, in hopes of making “an impact on the energy industry.”

The future of motorcycles could be hydrogen

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For the love of speed: Building a hydrogen-powered motorcycle

The motorcycle took shape over the course of the year piece by piece. “We got a couple of industry sponsors to donate components like the fuel cell and a lot of the major components of the system,” he says. They also received support from the MIT Energy Initiative, the departments of Mechanical Engineering and Electrical Engineering and Computer Science, and the MIT Edgerton Center.

Initial tests were conducted on a dynamometer, a kind of instrumented treadmill Mehrotra describes as “basically a mock road.” The vehicle used battery power during its development, until the fuel cell, provided by South Korean company Doosan, could be delivered and installed. The space the group has used to design and build the prototype, the home of the Electric Vehicle Team, is in MIT’s Building N51 and is well set up to do detailed testing of each of the bike’s components as it is developed and integrated.

Elizabeth Brennan, a senior in mechanical engineering, says she joined the team in January 2023 because she wanted to gain more electrical engineering experience, “and I really fell in love with it.” She says group members “really care and are very excited to be here and work on this bike and believe in the project.”

Brennan, who is the team’s safety lead, has been learning about the safe handling methods required for the bike’s hydrogen fuel, including the special tanks and connectors needed. The team initially used a commercially available electric motor for the prototype but is now working on an improved version, designed from scratch, she says, “which gives us a lot more flexibility.”

As part of the project, team members are developing a kind of textbook describing what they did and how they carried out each step in the process of designing and fabricating this hydrogen electric fuel-cell bike. No such motorcycle yet exists as a commercial product, though a few prototypes have been built.

That kind of guidebook to the process “just doesn’t exist,” Brennan says. She adds that “a lot of the technology development for hydrogen is either done in simulation or is still in the prototype stages, because developing it is expensive, and it’s difficult to test these kinds of systems.” One of the team’s goals for the project is to make everything available as an open-source design, and “we want to provide this bike as a platform for researchers and for education, where researchers can test ideas in both space- and funding-constrained environments.”

Unlike a design built as a commercial product, Mehrotra says, “our vehicle is fully designed for research, so you can swap components in and out, and get real hardware data on how good your designs are.” That can help people work on implementing their new design ideas and help push the industry forward, he says.

The few prototypes developed previously by some companies were inefficient and expensive, he says. “So far as we know, we are the first fully open-source, rigorously documented, tested and released-as-a-platform, [fuel cell] motorcycle in the world. No one else has made a motorcycle and tested it to the level that we have, and documented to the point that someone might actually be able to take this and scale it in the future, or use it in research.”

He adds that “at the moment, this vehicle is affordable for research, but it’s not affordable yet for commercial production because the fuel cell is a very big, expensive component.” Doosan Fuel Cell, which provided the fuel cell for the prototype bike, produces relatively small and lightweight fuel cells mostly for use in drones. The company also produces hydrogen storage and delivery systems.

The project will continue to evolve, says team member Annika Marschner, a sophomore in mechanical engineering. “It’s sort of an ongoing thing, and as we develop it and make changes, make it a stronger, better bike, it will just continue to grow over the years, hopefully,” she says.

While the Electric Vehicle Team has until now focused on battery-powered vehicles, Marschner says, “Right now we’re looking at hydrogen because it seems like something that’s been less explored than other technologies for making sustainable transportation. So, it seemed like an exciting thing for us to offer our time and effort to.”

Making it all work has been a long process. The team is using a frame from a 1999 motorcycle, with many custom-made parts added to support the electric motor, the hydrogen tank, the fuel cell, and the drive train. “Making everything fit in the frame of the bike is definitely something we’ve had to think about a lot because there’s such limited space there. So, it required trying to figure out how to mount things in clever ways so that there are not conflicts,” she says.

Marschner says, “A lot of people don’t really imagine hydrogen energy being something that’s out there being used on the roads, but the technology does exist.” She points out that Toyota and Hyundai have hydrogen-fueled vehicles on the market, and that some hydrogen fuel stations exist, mostly in California, Japan, and some European countries. But getting access to hydrogen, “for your average consumer on the East Coast, is a huge, huge challenge. Infrastructure is definitely the biggest challenge right now to hydrogen vehicles,” she says.

She sees a bright future for hydrogen as a clean fuel to replace fossil fuels over time. “I think it has a huge amount of potential,” she says. “I think one of the biggest challenges with moving hydrogen energy forward is getting these demonstration projects actually developed and showing that these things can work and that they can work well. So, we’re really excited to bring it along further.”

Researchers Revolutionizing Navigation With Twisted Ringbots

In the evolving world of robotics, a groundbreaking innovation has emerged: the twisted ringbot. These new soft robots, developed by researchers at North Carolina State University, are redefining the capabilities of autonomous machines with their unique ability to perform three simultaneous behaviors. Unlike conventional robots, twisted…

50 Free High-Resolution Texture Packs for Designers

The number of options, directions, and aesthetic approaches you can take from simply adding a texture to your work is mind-boggling. Of course, not every design, photo, or video benefits from even the most subtle of textures, but you might be surprised at how a high-resolution texture can bring a design to life.

Knowing when to use a texture and which texture to use comes down to the flow of the design and the priority of information on the page. It is a good idea to keep certain textures in mind while working on a project, but don’t finalize them until you’ve seen the design as a whole.

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How the definition of digital transformation continues to evolve… – CyberTalk

How the definition of digital transformation continues to evolve… – CyberTalk

From 2003-2004, Aman served as the Chief Technology Officer for AGF Technologies, during which time he also co-founded a company called Pi Squared Technologies, LLC. Subsequently, he served as a consultant for MasterCard, and an adjunct lecturer for Southern Illinois University, Edwardsville. In 2005, Aman started a new role with Citi, where he ascended to SVP, Group Information Security Officer. In 2015, he became the U.S. Chief Information Security Officer and Head of Enterprise Information Security Solutions for BMO Financial Group, where he was invited to assume the role of CISO. Aman joined Humana in 2020.

In this interview excerpt from the CISO’s Secrets podcast, Aman Raheja discusses his CISO career path, what it really takes to serve as a CISO in today’s world, and so much more. Don’t miss this!

You have accomplished a lot in your career. How did you get started in cyber security?

Interestingly, I can’t say that this was planned. Because it wasn’t. I did my undergrad in India and started out in software engineering. I started writing programs and doing software development.

The website that I took over from my predecessor actually got hacked, at which point my boss walked into my workspace and said ‘hey, you own this website now, go fix it’. I had no idea what was broken, so I had to teach myself how to do web hacking.

So that was my starting point — I simply used a couple of books, because that was in 2001-2002, and there wasn’t YouTube and all the Google information and the podcasts and everything that you have today.

I went off to Borders, bought a couple of books, and I still have them, as they remind me of my start. Taught myself how to do pen-testing, started to do pen-testing for other organizations in the St. Louis area, and just stuck with the theme.

That’s extraordinary. One of the things that I find interesting is that a lot of the leaders who I speak with started in the development world. How do you feel that that has contributed to your role as a Chief Information Security Officer?

I think that regardless of whether someone starts in software or system administration, it’s extremely helpful to have fundamental knowledge of the basics and of how things work. At the crux of what we do —underlying it— is a tremendous amount of engineering power. If you understand it well enough, you can actually do a lot better as an executive. I firmly believe that and think that a lot of successful people have development backgrounds.

Not to say that there aren’t executives without that type of depth — there are and they’re also successful…

So, technical knowledge is extremely helpful…although in and of itself, it’s not sufficient to be successful in a senior role.

A lot of people think that being a CISO is solely about information security. But the role has evolved, wouldn’t you say?

It has. Up until a point, it was sufficient for me to have the technical details about a topic, and to converse with management about it. But then, what changed was that at some point, I decided that I did want to get into management. Once you make that decision, there’s a completely different skill set that you need to work on…

It takes an ongoing learning mindset in order to be successful. It’s also important to be able to talk with the business in terms that leaders will appreciate…

We are digitizing every aspect of our business. There are so many elements of risk. Digital transformation is a double-edged sword, as it means that there’s more to be done when it comes to cyber security.

Yes, absolutely. Let me break my response up into two parts. First of all, I think that the definition of a transformation is continuing to evolve and change…I don’t know of any two companies that even define digital transformation the same way.

There was a point, earlier in my career, where we went through a digital transformation and it truly meant moving away from paper and digitizing…The definition of digital transformation then shifted to creating mobile applications. It moved to adopting cloud…The next phase of digital transformation, as we all know is…

Did you find this interesting? Get the full conversation here.

                                                                       For more CISO insights:

  • Check out this interview with the CISO of Archer Daniels Midland Company – See article
  • Explore cyber security training for C-level executives – Right here
  • Do you know about this CISO advisory service? – More information

Register Now for WorshipStreamTV – Videoguys

Register Now for WorshipStreamTV – Videoguys

Join WorshipStreamTV for an exciting three-day online event! With just one registration, you’ll unlock access to three webinars designed to enhance your House of Worship live production. Day one covers “Live Production Needs for your House of Worship: Making the Most of Your Message In a Hybrid World,” going over why hybrid streaming is important for Houses of Worship. On day two, discover “Creating the Best Camera Environment for all of your House of Worship’s Production Needs” and get guidance on choosing the best equipment. Day three explores the future with “AV Over IP and the Technologies Available to House of Worship Today.” Don’t miss out on this chance to boost your worship experience—all in one registration!

February 6th – 8th, 2024 at 3pm EST
One registration gets you access to all 3 webinars!

REGISTER HERE

Live Production Needs for your House of Worship: Making the Most of Your Message In a Hybrid World
Tuesday, Feb 6th @ 3pm EST
Houses of Worship of all congregation sizes are being faced with the need to reach and engage their community in new and creative ways. Join WorshipStream.TV as we discuss the challenges of the hybrid production environment and help you identify the system you need to make the most impact in your church and to the larger community online. Check out the production tools available to livestream anywhere in the world.

Registration will also be your entry to win! Prizes will be announced shortly!

Creating the Best Camera Environment for all of your House of Worship’s Production Needs
Wednesday, Feb 7th @ 3pm EST

Join WorshipStream.TV for a detailed guide of top camera options, including PTZ Cameras, camcorders, and more, perfect for House of Worship live productions. Discover key features to enhance your workflow and elevate production quality. Join us to optimize your House of Worship experience with the perfect camera solutions.

   

Plus case studies from some of the biggest system integrators in the industry! Join to hear from pros who are working with houses of worship all over the U.S.

   

AV Over IP and the Technologies Available to House of Worship Today

Thursday, Feb 8th @ 3pm EST

Learn about the evolution of live production technology in Houses of Worship and the future of live streaming. Join WorshipStream.TV for an in-depth discussion about the transformative impact of technologies like NDI and Dante AV on the landscape of worship live streaming. Learn about current trends and where this technology is headed in the future to keep your House of Worship at the forefront of the digital worship experience.

   

AI Acquisitions: Who’s Leading the Charge and Why?

Artificial Intelligence (AI) has a significant impact on various sectors like healthcare, finance, education, and entertainment. This technology is reshaping business operations, demonstrating its undeniable potential to transform various industries. However, developing AI solutions is not without its challenges. It requires a unique combination of specialized…

3 Questions: A new home for music at MIT

3 Questions: A new home for music at MIT

More than 1,500 students enroll in music classes each year at MIT. More than 500 student musicians participate in one of 30 on-campus ensembles. In spring 2025, to better provide for its thriving musical program, MIT will inaugurate its new music building, a 35,000-square-foot three-volume facility adjacent to Kresge Auditorium. The new building will feature high-quality rehearsal and performance spaces, a professional recording studio, classrooms, and laboratories for the music technology program.

Keeril Makan is the Michael (1949) and Sonja Koerner Music Composition Professor, section head of the MIT Music and Theater Arts Section (MTA), and was recently named associate dean of the School of Humanities, Arts, and Social Sciences. A celebrated composer, Makan has been instrumental in the conception and realization of the MIT Music Building, which will also be known as Building W18. He speaks here about the ways that music helps MIT broaden and fulfill its mission, and the opportunities that the new facilities will provide.

Q: After many years of planning, the MIT Music Building is taking shape. How will this new facility change the MIT experience?

A: There is a tremendous demand on campus for the opportunity to make music and to listen to live music. Some of our students arrive at MIT already planning to study and perform music. Others pick up the passion on campus. We have such a flourishing music community here, with so many different types of ensembles we want to support. In addition to the Western Classical tradition, like our orchestra or wind ensemble, where we’ve always been strong, there is also a strong interest in jazz on campus. In fact, we’ve just hired our first jazz professor, Miguel Zenón. More and more students want to explore and experience music from other cultures. We have our Balinese Gamelan, as well as Rambax, a Senegalese drumming group that has the second-largest enrollment for an ensemble, after our orchestra. Our building is designed to allow all of these different musical traditions to exist simultaneously, all equally respected and supported.

With such a strong interest in music among our students and MIT community, the Institute is providing the proper facilities where students and faculty can pursue and develop that interest. And a big part of that is proper acoustics. At MIT we have laboratory spaces that provide stringent environmental conditions for temperature, humidity, vibration, and particulate control. Otherwise, the samples can be contaminated, and the results altered. It’s the same thing in music — we need acoustically controlled rehearsal spaces where the students hear and perform music without contamination from other sound sources. Our performance hall is designed for the audience to hear the music exactly the way the performers hear it. They will experience the music together, in a space that fosters intimacy between the performers and their audience.

Q: Will the new music building attract a different type of student to MIT?

A: I’m not sure whether the new facility will attract a different type of student as much as keep MIT competitive in attracting the type of student who will thrive here. Undergraduates and graduate students have come to expect state-of-the-art facilities across the board for their work in STEM, but also for the parts of their lives that support or complement that work. Music is a big part of that support at MIT. In order for us to stay competitive, to continue to attract the students we believe will help us further our mission, we needed to raise the bar in terms of the level of support we offer students in music. But it’s not just about being competitive in attracting gifted students. Part of our work here is taking on and providing solutions to some of the world’s most pressing and complex challenges. Solving those problems, of course, requires technical expertise. But it also requires wisdom, emotion, and compassion. Empathizing with other members of our community can lead to solutions that will make all of our lives better. And while it’s important that this new building keeps us competitive as an institution, it’s even more important for it to keep us competitive in creating the types of people best suited to take on the world’s great problems. 

Q: How can music, and other arts, complement and support a student’s work in science and technology?

A: Making music is a physical activity. There is something about the small motions of the fingers, the voice resonating, that affects the body, that connects the body with what you are experiencing or feeling. It pulls you completely into the now. Having this building, right in the middle of our campus, makes it clear that this centering is important to MIT and its mission.

For the students rehearsing and performing in the building, or the students who compose music for our new facility, or for the students who will develop the hardware and software that engineers will use to produce music, the problem-solving inherent in those activities is very similar to what they do in STEM. Both are creative processes, where you learn to evaluate, manage, and integrate multiple parameters. Creating music or music technology requires you to rotate a series of different problems in your mind, and to devise a way for them to fit together. It fosters an internal desire for discovery, and for creativity. All of these are skills that, when mastered, easily translate into other activities, including scientific research, math, or engineering. MIT understands that music, and all the arts, are essential in helping our students take on the many challenges facing our world, like the climate crisis, or the impact of AI. Not just in creating an awareness of our humanity, but in training the minds and hearts of the people who will solve those issues. We now have the building that will support that crucial education.