Beautiful Poster Art Created with CSS & JavaScript – Speckyboy

Posters are among the most common art forms. You probably had a few of them on your wall as a child. They cover the full spectrum of people, places, and events.

They also serve as an inspiration for web designers. Their use of color and typography is part of how we see the world. We can see the impact all over the web.

What’s more, we can recreate and enhance the experience online. Goodies like 3D effects and animation bring posters to life. There’s also an element of interactivity. That can be just as powerful as a bold layout.

We wanted to see how designers are using their creativity. So, we perused the archives of CodePen for beautiful poster art. Here are some examples that use CSS, JavaScript, and other technologies. Enjoy!


Furiosa 3D Animated CSS Poster by Olivier 3lanc

Talk about a poster that’s brimming with life! This 3D rendering places the movie’s characters in a cut-out. The entire presentation looks like a diorama. Everything is powered by CSS – no JavaScript in sight.

See the Pen FURIOSA 3D Animated Poster by Olivier 3lanc

Replicating & Animating Zürich Tonhalle’s Poster by Jon Yablonski

This snippet is part of a project that recreates iconic posters. The beauty here is in the minimal layout and bold typography. Animated lines add a modern touch to this classic.

See the Pen Zürich Tonhalle (1955) by Jon Yablonski

CSS Grid Poster Exercise by Victoria Bergquist

A combination of Flexbox and CSS Grid fuels this example. The variation of shapes would seem nearly impossible to do without these tools. The included splash of color makes for a compelling result.

See the Pen CSS Grid Poster Exercise 1 by Victoria Bergquist

Donkey Kong Poster Collection by Daniel Fontes

Here’s a fun tribute to the past. Gamers will instantly recognize this series of images from Donkey Kong. The classic video game posters feature a fun lighting feature. Tug on the chain to illuminate your favorite poster. Bonus points for the flicker effect!

See the Pen Donkey Kong – a small poster collection by Daniel Fontes

PPL MVR CSS & SVG Poster Designby Kristopher Van Sant

Band posters are a common theme among designers. Perhaps that’s because so many of us have them on our walls. This animated sequence takes inspiration from print artwork. And it’s another example of what CSS is capable of.

See the Pen PPL MVR by Kristopher Van Sant

Grid Duotone Gradient Poster Design by Cassie Evans

The power of CSS Grid is real. The poster is beautiful and complex. Most impressively, the styles consist of less than 200 lines. A little code and a lot of imagination can go a long way.

See the Pen Grid Poster by Cassie Evans

Grunge Poster with the Wave Motion Effect by ilithya

Who can resist the retro vibes coming from this poster? It captures the look of the 1990s – complete with raining triangles. Move your cursor to change the perspective of the photo. It’s a far-out experience, for sure.

See the Pen Grunge Poster by ilithya

The Matrix Resurrections Digital Poster by Sparklingman

The Matrix movie series is known for a different kind of rain. This digital poster may appear simple. However, clicking on it shifts the green and black pattern. The effect is subtle – but fits beautifully with the movie’s aesthetic.

See the Pen The Matrix Resurrections | Sparklingman digital poster #026 by Sparklingman

A New Take on a Classic Art Form

The examples above combine classic print sensibilities with online capabilities. It’s a fun exercise that goes beyond what’s hanging on your wall.

We may think of posters as being simplistic. But they also open a world of possibilities for designers. Thus, we can take this inspiration and run with it.

For example, posters may help us rethink traditional web layouts. Elements like vertical text and unique container shapes come to mind. They can serve as a launching pad for ideas.

Want to see more examples of online poster art? Check out our CodePen collection!

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MIT graduate programs empower the next generation of naval leaders

Designing a ship or submarine for the U.S. Navy requires an understanding of naval architecture, hydrodynamics, electrical and structural engineering, materials science, and more. That’s why the Navy works so closely with MIT, where some of the world’s foremost experts in each of those disciplines converge.

The largest among the graduate-level naval programs at MIT is the 2N Graduate Program in Naval Architecture and Marine Engineering. The three-year 2N program helps naval officers work at the intersection of different academic disciplines to design ships and submarines from the ground up and solve the complex technical problems that arise from completing missions on the sea.

“The 2N program is designed to take officers who have experience operating ships and submarines and get them the technical foundation they need to be technical leaders in the Navy,” says 2N Professor of the Practice Andrew Gillespy, who graduated from the program himself in 2008. “We’re building the next generation of ship and submarine designers for the U.S. Navy.”

The MIT-Woods Hole Oceanographic Institution (WHOI) Joint Program also enrolls naval officers, in its dedicated master’s program in oceanography and applied ocean science and engineering, where they work on Navy-related research ranging from autonomous vehicles to applied ocean science, physical oceanography, and more. While the 2N program, which was founded back in 1901, has been around a lot longer than the MIT-WHOI Program, naval officers were among the first graduates of MIT-WHOI in 1970.

“The Navy’s been with us from the beginning,” WHOI Senior Scientist Ann Tarrant says. “MIT’s various naval offerings really show the strong link between the institutions. It shows MIT’s commitment to doing research that is valuable to our nation’s security, and the high esteem the Navy places on MIT more broadly.”

At MIT, both the 2N and MIT-WHOI programs are housed within the Department of Mechanical Engineering; MIT-WHOI, which also offers a doctoral program, is jointly hosted by the Department for Earth, Atmospheric and Planetary Sciences. Still, the programs engage students and faculty from across the Institute.

“Our students work with pretty much every professor who touches ocean engineering,” Gillespy says. “One of the great parts about our program is the ability for the students to do one-on-one thesis work with the best professors in the world here at MIT. That is something that the Navy really, values.”

A century of training naval leaders

MIT was one of the first educational institutions to include oceanography in its curriculum and has played a leading role in advancing the discipline. The Department of Mechanical Engineering first offered a program in marine engineering and naval architecture in 1886, which led to the Department of Naval Architecture.

The program has changed names several times since then, but it can be mapped to today’s Center for Ocean Engineering, which continues to support the Navy and MIT’s naval programs through its research.

The 2N program was founded in 1901 and has been taught by active-duty faculty members for close to a century. Students in the program, who also include members of the U.S. Coast Guard as well as foreign naval officers, jump back into academia with two years of classes followed by an industry-sponsored design project.

“The program gives you a solid foundation in naval engineering and the leeway to study what’s interesting to you; this way you can bring new research back to the fleet,” says Adam Jay Pressel, who’s entering his third and final year in the 2N program. “Being a full-time graduate student and naval officer at one of the best universities in the world is probably the best job I’ll ever have.”

Gillespy notes that while the requirements for most MIT master’s students is 72 credits plus a thesis, 2N graduates earn around 300 credits over their three years.

The reason for the high course load is that 2N graduates get two master’s degrees, and the 2N Naval Engineer’s degree is earned by meeting both MIT and the Navy’s requirements.

“We encourage them to get the second degree in an area they’re interested in and really want to pursue,” Gillespy says. “We’ve had students working in electrical engineering on power systems, in mechanical engineering, and system design and management, which is the joint program with the business school and the engineering program. That program is great because we’re not just engineers. In the future, our students are going to be technical leaders, so getting that leadership and management expertise from the business school is great. But you probably can’t pick a course at MIT that we haven’t had somebody get a second degree in.”

The MIT-WHOI master’s program is usually a little over two years long and features coursework at WHOI and MIT followed by a master’s thesis. Naval students have worked on topics like ocean circulation, autonomous vehicles, and meteorology.

“Having naval officers really benefits our whole student body and program,” Tarrant says. “They have a lot of extremely valuable real-world experience, and they help us understand how the research we’re doing can make an impact in the Navy and on the world.”

Tarrant notes that many faculty members and researchers at both MIT and WHOI work on projects funded by the Navy, and naval officers bring valuable perspectives to that work.

“It helps us align the work we do with the Navy’s mission,” Tarrant says. “WHOI and MIT more broadly have a long-standing relationship with the Navy that really helps us.”

MIT leaves its mark

Naval officers’ work at MIT has gone on to make a huge impact on the Navy. Several students’ ship design and conversion projects from the 2N program have gone on to become actual ships the Navy builds. In 2019, 2N students worked on converting a massive destroyer called the DDG 1000 to accommodate hypersonic missiles. The students concept design showed it was feasible, and the Navy is actively overseeing that conversion now.

The graduates themselves have also gone on to assume leadership roles at every level of the Navy. The current program manager for a major Navy initiative designing a new class of submarines is 2N graduate Admiral Pete Small ’05, SM ’05, who previously taught as a professor of the practice at MIT.

“Our program has a really proud history of producing officers that are great leaders and have the technical foundation to lead highly advanced programs,” Gillespy says.

Gillespy says his own experience in the Navy has underscored the value of the 2N program. He and several other graduates of the program were responsible for designing the Columbia-class submarine, which is scheduled to go into service in 2031.

“Every day when we were designing the Columbia class submarine, we had the world’s experts in a particular area come in and present their design thoughts and what they’re working on, and being able to have intelligent conversations and push the program forward across all the disciplines was critical,” Gillespy says. “There wasn’t a course that I took here that I couldn’t trace back to a discipline that I was working on. My fellow officers echoed the sentiment of how well MIT prepared us to do submarine design.”

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Tools for making imagination blossom at MIT.nano

The MIT community and visitors have a new reason to drop by MIT.nano: six artworks by Brazilian artist and sculptor Denise Milan. Located in the open-air stairway connecting the first- and second-floor galleries within the nanoscience and engineering facility, the works center around the stone as a microcosm of nature. From Milan’s “Mist of the Earth” series, evocative of mandalas, the project asks viewers to reflect on the environmental changes that result from human-made development.

Milan is the inaugural artist in “Encounters,” a series presented by STUDIO.nano, a new initiative from MIT.nano that encourages the exploration of platforms and pathways at the intersection of technology, science, and art. Encounters welcomes proposals from artists, scientists, engineers, and designers from outside of the MIT community looking to collaborate with MIT.nano researchers, facilities, ongoing projects, and unique spaces.

“Life is in the art of the encounter,” remarked Milan, quoting Brazilian poet Vinicius de Moraes, during a reception at MIT.nano. “And for an artist to be in a place like this, MIT.nano, what could be better? I love the curiosity of scientists. They are very much like artists … art and science are both tools for making imagination blossom.” What followed was a freewheeling conversation between attendees that spanned topics ranging from the cyclical nature of birth, death, and survival in the cosmos to musings on the elemental sources of creativity and the similarities in artistic and scientific practice to a brief lesson on time crystals by Nobel Prize laureate Frank Wilczek, the Herman Feshbach Professor of Physics at MIT.

Milan was joined in her conversation by MIT.nano Director Vladimir Bulović, the Fariborz Maseeh Professor of Emerging Technologies; Ardalan SadeghiKivi MArch ’22, who moderated the discussion; Samantha Farrell, manager of STUDIO.nano programming; and Naomi Moniz, professor emeritus at Georgetown University, who connected Milan and her work with MIT.nano.

“In addition to the technical community, we [at MIT.nano] have been approached by countless artists and thinkers in the humanities who, to our delight, are eager to learn about the wonders of the nanoscale and how to use the tools of MIT.nano to explore and expand their own artistic practice,” said Bulović.

These interactions have spurred collaborative projects across disciplines, art exhibitions, and even MIT classes. For the past four years MIT.nano has hosted 4.373/4.374 (Creating Art, Thinking Science), an undergraduate and graduate class offered by the Art, Culture, and Technology (ACT) Program. To date, the class has brought 35 students into MIT.nano’s labs and resulted in 40 distinct projects and 60 pieces of art, many of which are on display in MIT.nano’s galleries.

With the launch of STUDIO.nano, MIT.nano will look to expand its exhibition programs, including supporting additional digital media and augmented/virtual reality projects; providing tools and spaces for development of new classes envisioned by MIT academic departments; and introducing programming such as lectures related to the studio’s activities.

Milan’s work will be a permanent installation at MIT.nano, where she hopes it will encourage individuals to pursue their creative inspiration, regardless of discipline. “To exist or to disappear?” Milan asked. “If it’s us, an idea, or a dream — the question is how much of an assignment you have with your own imagination.”

MIT students combat climate anxiety through extracurricular teams

Climate anxiety affects nearly half of young people aged 16-25. Students like second-year Rachel Mohammed find hope and inspiration through her involvement in innovative climate solutions, working alongside peers who share her determination. “I’ve met so many people at MIT who are dedicated to finding climate solutions in ways that I had never imagined, dreamed of, or heard of. That is what keeps me going, and I’m doing my part,” she says.

Hydrogen-fueled engines

Hydrogen offers the potential for zero or near-zero emissions, with the ability to reduce greenhouse gases and pollution by 29 percent. However, the hydrogen industry faces many challenges related to storage solutions and costs.

Mohammed leads the hydrogen team on MIT’s Electric Vehicle Team (EVT), which is dedicated to harnessing hydrogen power to build a cleaner, more sustainable future. EVT is one of several student-led build teams at the Edgerton Center focused on innovative climate solutions. Since its founding in 1992, the Edgerton Center has been a hub for MIT students to bring their ideas to life.

Hydrogen is mostly used in large vehicles like trucks and planes because it requires a lot of storage space. EVT is building their second iteration of a motorcycle based on what Mohammed calls a “goofy hypothesis” that you can use hydrogen to power a small vehicle. The team employs a hydrogen fuel cell system, which generates electricity by combining hydrogen with oxygen. However, the technology faces challenges, particularly in storage, which EVT is tackling with innovative designs for smaller vehicles.

Presenting at the 2024 World Hydrogen Summit reaffirmed Mohammed’s confidence in this project. “I often encounter skepticism, with people saying it’s not practical. Seeing others actively working on similar initiatives made me realize that we can do it too,” Mohammed says.

The team’s first successful track test last October allowed them to evaluate the real-world performance of their hydrogen-powered motorcycle, marking a crucial step in proving the feasibility and efficiency of their design.

MIT’s Sustainable Engine Team (SET), founded by junior Charles Yong, uses the combustion method to generate energy with hydrogen. This is a promising technology route for high-power-density applications, like aviation, but Yong believes it hasn’t received enough attention. Yong explains, “In the hydrogen power industry, startups choose fuel cell routes instead of combustion because gas turbine industry giants are 50 years ahead. However, these giants are moving very slowly toward hydrogen due to its not-yet-fully-developed infrastructure. Working under the Edgerton Center allows us to take risks and explore advanced tech directions to demonstrate that hydrogen combustion can be readily available.”

Both EVT and SET are publishing their research and providing detailed instructions for anyone interested in replicating their results.

Running on sunshine

The Solar Electric Vehicle Team powers a car built from scratch with 100 percent solar energy.

The team’s single-occupancy car Nimbus won the American Solar Challenge two years in a row. This year, the team pushed boundaries further with Gemini, a multiple-occupancy vehicle that challenges conventional perceptions of solar-powered cars.

Senior Andre Greene explains, “the challenge comes from minimizing how much energy you waste because you work with such little energy. It’s like the equivalent power of a toaster.”

Gemini looks more like a regular car and less like a “spaceship,” as NBC’s 1st Look affectionately called Nimbus. “It more resembles what a fully solar-powered car could look like versus the single-seaters. You don’t see a lot of single-seater cars on the market, so it’s opening people’s minds,” says rising junior Tessa Uviedo, team captain.

All-electric since 2013

The MIT Motorsports team switched to an all-electric powertrain in 2013. Captain Eric Zhou takes inspiration from China, the world’s largest market for electric vehicles. “In China, there is a large government push towards electric, but there are also five or six big companies almost as large as Tesla size, building out these electric vehicles. The competition drives the majority of vehicles in China to become electric.”

The team is also switching to four-wheel drive and regenerative braking next year, which reduces the amount of energy needed to run. “This is more efficient and better for power consumption because the torque from the motors is applied straight to the tires. It’s more efficient than having a rear motor that must transfer torque to both rear tires. Also, you’re taking advantage of all four tires in terms of producing grip, while you can only rely on the back tires in a rear-wheel-drive car,” Zhou says.

Zhou adds that Motorsports wants to help prepare students for the electric vehicle industry. “A large majority of upperclassmen on the team have worked, or are working, at Tesla or Rivian.”

Former Motorsports powertrain lead Levi Gershon ’23, SM ’24 recently founded CRABI Robotics — a fully autonomous marine robotic system designed to conduct in-transit cleaning of marine vessels by removing biofouling, increasing vessels’ fuel efficiency.

An Indigenous approach to sustainable rockets

First Nations Launch, the all-Indigenous student rocket team, recently won the Grand Prize in the 2024 NASA First Nations Launch High-Power Rocket Competition. Using Indigenous methodologies, this team considers the environment in the materials and methods they employ.

“The environmental impact is always something that we consider when we’re making design decisions and operational decisions. We’ve thought about things like biodegradable composites and parachutes,” says rising junior Haley Polson, team captain. “Aerospace has been a very wasteful industry in the past. There are huge leaps and bounds being made with forward progress in regard to reusable rockets, which is definitely lowering the environmental impact.”

Collecting climate change data with autonomous boats

Arcturus, the recent first-place winner in design at the 16th Annual RoboBoat Competition, is developing autonomous surface vehicles that can greatly aid in marine research. “The ocean is one of our greatest resources to combat climate change; thus, the accessibility of data will help scientists understand climate patterns and predict future trends. This can help people learn how to prepare for potential disasters and how to reduce each of our carbon footprints,” says Arcturus captain and rising junior Amy Shi.

“We are hoping to expand our outreach efforts to incorporate more sustainability-related programs. This can include more interactions with local students to introduce them to how engineering can make a positive impact in the climate space or other similar programs,” Shi says.

Shi emphasizes that hope is a crucial force in the battle against climate change. “There are great steps being taken every day to combat this seemingly impending doom we call the climate crisis. It’s important to not give up hope, because this hope is what’s driving the leaps and bounds of innovation happening in the climate community. The mainstream media mostly reports on the negatives, but the truth is there is a lot of positive climate news every day. Being more intentional about where you seek your climate news can really help subside this feeling of doom about our planet.”

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