Turning history of science into a comic adventure

Turning history of science into a comic adventure

The Covid-19 pandemic taught us how complex the science and management of infectious disease can be, as the public grappled with rapidly evolving science, shifting and contentious policies, and mixed public health messages.

The purpose of scientific communication is to make the complexity of such topics engaging and accessible while also making sure the information conveyed is scientifically accurate. With that goal in mind, one MIT team recently transformed themselves into time-traveling comic book characters, in an effort to convey the fascinating history of infectious disease science.

The multimedia project, “A Paradigm Shift in Infectious Diseases,” follows its creators — and the story’s protagonists — on a journey through scientific history. MIT Associate Professor Lydia Bourouiba and cancer-researcher-turned-graphic-artist Argha Manna travel across the world, leaping from one century to the next to learn about paradigm shifts in science from philosophers of science and to meet scientific luminaries and other scholars as they changed the understanding of infectious diseases and their transmission.

“Our goal with this project was to communicate effectively about the scientific method,” says Bourouiba, director of MIT’s Fluid Dynamics of Disease Transmission Laboratory, part of the Fluids and Health Network; a core faculty member of the Institute for Medical Engineering and Science (IMES); and an associate professor in the departments of Civil and Environmental Engineering and of Mechanical Engineering. “During crises like the Covid-19 pandemic, we saw a lot of confusion and misunderstanding from the public that stemmed, in part, from a lack of knowledge about how science actually evolves.”

The project was exhibited in MIT’s Rotch Library Gallery last month and was the subject of an event at the Hayden Library that explored broader questions about the scientific method and scientific literacy. The authors are currently in talks with publishers to create a comic book from the story, and Bourouiba is teaching a related class, HST.537/1.063/2.25 (Fluids and Diseases), this spring.

The exciting history of infectious disease research

Bourouiba pitched the idea for the exhibit to the MIT Center for Art, Science and Technology (CAST) in 2021 during the Covid-19 pandemic. CAST agreed to fund the project, which also received support from the Department of Civil and Environmental Engineering, IMES, and the MIT Libraries.

“We wanted to use visual art in the form of comics, which allows us to convey multilayered messages, with the two protagonists traveling through time and locations to try to understand the processes that led to the different understandings of infectious diseases and how they are transmitted,” Bourouiba explains.

Like all good science communication, the project tells a story. The comic starts with Bourouiba and Manna discussing how infectious diseases spread. They read about experiments by William F. Wells in the 1930s, focusing on the size of exhaled droplets and how it determines how fast they evaporate. And they learn about the origins of germ theory, which after much pushback and debate, was eventually established by Louis Pasteur and Robert Koch toward the end of the 19th century. Soon, Bourouiba and Manna are transported back in time to come face to face with the subjects of their study. The adventure brings them to ancient Greece, Egypt, Italy, and eventually back to MIT — but in the 1940s — where Harold “Doc” Edgerton conducted pioneering work on stroboscopic photography, which could capture images of moving droplets in previously unprecedented detail.

“Through the adventure of the protagonists in this comics, one learns that the evolution of ideas on infectious diseases is far from solely a school of medicine effort,” Bourouiba says. “Instead, it involved, from its start, physicists, ecologists, engineers, and modelers, in addition to those managing public good, eventually establishing public health structures.”

Through it all, the audience learns about various “paradigm shifts” in science that mark progress and put in perspective contemporary shifts in our understanding of infectious disease.

The power of science communication

A panel at the Hayden Library served to launch the exhibit and included Professor Joel Gill, associate professor of art and chair of the Department of Visual Narrative at Boston University; Edward Nardell, professor of global health and social medicine at Harvard Medical School; Carl Zimmer, New York Times journalist and author; John Durant, then-director of the MIT Museum and adjunct professor in the MIT Program in Science, Technology, and Society (STS); and Robin Scheffler, associate professor in MIT STS.

The panel discussed shifts in ideas about science and how we communicate them using media like videos, books, and comics.

We need to think about our audience, we need to know the audience we’re talking to, and we need to be prepared to listen as well as to speak to the audience,” Durant said. “We also need to find ways of moving outside of the circle of people who think the way we do.”

In Scheffler’s talk, he showed examples throughout history of scientists using art and artists using science.

“By thinking about the slippery-ness between [art and science] and having a greater sense that there isn’t a hard and fast line to draw in terms of paradigm shifts in science, I think we can all have a more empathetic and practical approach in how we communicate and talk about the nature of changing science and changing understandings of disease,” Scheffler said.

Ultimately, the comic exemplifies an idea by one of its central characters, Doc Edgerton. The famed educator once said, “The trick to education is to teach people in such a way that they don’t realize they’re learning until it’s too late.”

Large Language Models with Scikit-learn: A Comprehensive Guide to Scikit-LLM

By integrating the sophisticated language processing capabilities of models like ChatGPT with the versatile and widely-used Scikit-learn framework, Scikit-LLM offers an unmatched arsenal for delving into the complexities of textual data. Scikit-LLM, accessible on its official GitHub repository, represents a fusion of – the advanced AI…

Researchers release open-source space debris model

Researchers release open-source space debris model

MIT’s Astrodynamics, Space Robotics, and Controls Laboratory (ARCLab) announced the public beta release of the MIT Orbital Capacity Assessment Tool (MOCAT) during the 2023 Organization for Economic Cooperation and Development (OECD) Space Forum Workshop on Dec. 14. MOCAT enables users to model the long-term future space environment to understand growth in space debris and assess the effectiveness of debris-prevention mechanisms.

With the escalating congestion in low Earth orbit, driven by a surge in satellite deployments, the risk of collisions and space debris proliferation is a pressing concern. Conducting thorough space environment studies is critical for developing effective strategies for fostering responsible and sustainable use of space resources. 

MOCAT stands out among orbital modeling tools for its capability to model individual objects, diverse parameters, orbital characteristics, fragmentation scenarios, and collision probabilities. With the ability to differentiate between object categories, generalize parameters, and offer multi-fidelity computations, MOCAT emerges as a versatile and powerful tool for comprehensive space environment analysis and management.

MOCAT is intended to provide an open-source tool to empower stakeholders including satellite operators, regulators, and members of the public to make data-driven decisions. The ARCLab team has been developing these models for the last several years, recognizing that the lack of open-source implementation of evolutionary modeling tools limits stakeholders’ ability to develop consensus on actions to help improve space sustainability. This beta release is intended to allow users to experiment with the tool and provide feedback to help guide further development.

Richard Linares, the principal investigator for MOCAT and an MIT associate professor of aeronautics and astronautics, expresses excitement about the tool’s potential impact: “MOCAT represents a significant leap forward in orbital capacity assessment. By making it open-source and publicly available, we hope to engage the global community in advancing our understanding of satellite orbits and contributing to the sustainable use of space.”

MOCAT consists of two main components. MOCAT-MC evaluates space environment evolution with individual trajectory simulation and Monte Carlo parameter analysis, providing both a high-level overall view for the environment and a fidelity analysis into the individual space objects evolution. MOCAT Source Sink Evolutionary Model (MOCAT-SSEM), meanwhile, uses a lower-fidelity modeling approach that can run on personal computers within seconds to minutes. MOCAT-MC and MOCAT-SSEM can be accessed separately via GitHub.

MOCAT’s initial development has been supported by the Defense Advanced Research Projects Agency (DARPA) and NASA’s Office of Technology and Strategy.

“We are thrilled to support this groundbreaking orbital debris modeling work and the new knowledge it created,” says Charity Weeden, associate administrator for the Office of Technology, Policy, and Strategy at NASA headquarters in Washington. “This open-source modeling tool is a public good that will advance space sustainability, improve evidence-based policy analysis, and help all users of space make better decisions.”

Three honored with 2023 School of Science teaching prizes

Three honored with 2023 School of Science teaching prizes

The MIT School of Science has announced the winners of its 2023 Teaching Prizes for Graduate and Undergraduate Education. The prizes are awarded to School of Science faculty members who demonstrate excellence in teaching. Winners are chosen from nominations by their students or colleagues.

Roger Levy, a professor in the Department of Brain and Cognitive Sciences, was awarded a prize for developing and teaching class 9.19 (Computational Psycholinguistics). Levy’s nominators highlighted his success in adapting courses to synchronous and asynchronous instruction during the first year of the Covid-19 pandemic and in leading an engaging and challenging course for students across disciplines.

Pulin Li, the Eugene Bell Career Development Professor of Tissue Engineering in the Department of Biology and a member of the Whitehead Institute for Biomedical Research, was awarded the prize for teaching classes 7.06 (Cell Biology) and 7.46/7.86: (Building with Cells). Nominators praised Li’s talent for teaching complex topics effectively and her exceptional accomplishments as a teaching partner.

David McGee, associate professor and associate department head for diversity, equity, and inclusion in the Department of Earth, Atmospheric and Planetary Sciences, was awarded the prize for achieving an outstanding level of community learning in class 12.000 (Solving Complex Problems), also known as “Terrascope.” Nominators noted McGee’s extraordinary investment in both the class material and his students’ learning experiences.

The School of Science welcomes nominations for the teaching prize at the end of each semester. Nominations can be submitted at the school’s website.

Food for thought

Food for thought

MIT graduate student Juana De La O describes herself as a food-motivated organism, so it’s no surprise that she reaches for food and baking analogies when she’s discussing her thesis work in the lab of undergraduate officer and professor of biology Adam Martin

Consider the formative stages of a croissant, she offers, occasionally providing homemade croissants to accompany the presentation: When one is forming the puff pastry, the dough is folded over the butter again and again. Tissues in a developing mouse embryo must similarly fold and bend, creating layers and structures that become the spine, head, and organs — but these tissues have no hands to induce those formative movements. 

De La O is studying neural tube closure, the formation of the structure that becomes the spinal cord and the brain. Disorders like anencephaly and craniorachischisis occur when the head region fails to close in a developing fetus. It’s a heartbreaking defect, De La O says, because it’s 100 percent lethal — but the fetus fully develops otherwise. 

“Your entire central nervous system hinges on this one event happening successfully,” she says. “On the fundamental level, we have a very limited understanding of the mechanisms required for neural closure to happen at all, much less an understanding of what goes wrong that leads to those defects.” 

Hypothetically speaking

De La O hails from Chicago, where she received an undergraduate degree from the University of Chicago and worked in the lab of Ilaria Rebay. De La O’s sister was the first person in her family to go to and graduate from college — De La O, in turn, is the first person in her family to pursue a PhD. 

From her first time visiting campus, De La O could see MIT would provide a thrilling environment in which to study.

“MIT was one of the few places where the students weren’t constantly complaining about how hard their life was,” she says. “At lunch with prospective students, they’d be talking to each other and then just organically slip into conversations about science.”

The department emails acceptance letters and sends a physical copy via snail mail. De La O’s letter included a handwritten note from department head Amy Keating, then a graduate officer, who had interviewed De La O during her campus visit. 

“That’s what really sold it for me,” she recalls. “I went to my PI [principal investigator]’s office and said, ‘I have new data’” and I showed her the letter, and there was lots of unintelligible crying.” 

To prepare her for graduate school, her parents, both immigrants from Mexico, spent the summer teaching De La O to make all her favorite dishes because “comfort food feels like home.”   

When she reached MIT, however, the Covid-19 pandemic ground the world to a halt and severely limited what students could experience during rotations. Far from home and living alone, De La O taught herself to bake, creating the confections she craved but couldn’t leave her apartment to purchase. De La O didn’t get to work as extensively as she would have liked during her rotation in the Martin lab. 

Martin had recently returned from a sabbatical that was spent learning a new research model; historically a fly lab, Martin was planning to delve into mouse research. 

“My final presentation was, ‘Here’s a hypothetical project I would hypothetically do if I were hypothetically going to work with mice in a fly lab,’” De La O says. 

Martin recalls being impressed. De La O is skilled at talking about science in an earnest and engaging way, and she dug deep into the literature and identified points Martin hadn’t considered. 

“This is a level of independence that I look for in a student because it is important to the science to have someone who is contributing their ideas and independent reading and research to a project,” Martin says. 

After agreeing to join the lab — news she shared with Martin via a meme — she got to work. 

Charting mouse development

The neural tube forms from a flat sheet whose sides rise and meet to create a hollow cylinder. De La O has observed patterns of actin and myosin changing in space and time as the embryo develops. Actin and myosin are fibrous proteins that provide structure in eukaryotic cells. They are responsible for some cell movement, like muscle contraction or cell division. Fibers of actin and myosin can also connect across cells, forming vast networks that coordinate the movements of whole tissues. By looking at the structure of these networks, researchers can make predictions about how force is affecting those tissues.

De La O has found indications of a difference in the tension across the tissue during the critical stages of neural tube closure, which contributes to the tissue’s ability to fold and form a tube. They are not the first research group to propose this, she notes, but they’re suggesting that the patterns of tension are not uniform during a single stage of development.

“My project, on a really fundamental level, is an atlas for a really early stage of mouse development for actin and myosin,” De La O says. “This dataset doesn’t exist in the field yet.” 

However, De La O has been performing analyses exclusively in fixed samples, so she may be quantifying phenomena that are not actually how tissues behave. To determine whether that’s the case, De La O plans to analyze live samples.

The idea is that if one could carefully cut tissue and observe how quickly it recoils, like slicing through a taught rubber band, those measurements could be used to approximate force across the tissue. However, the techniques required are still being developed, and the greater Boston area currently lacks the equipment and expertise needed to attempt those experiments. 

A big part of her work in the lab has been figuring out how to collect and analyze relevant data. This research has already taken her far and wide, both literally and virtually. 

“We’ve found that people have been very generous with their time and expertise,” De La O says. “One of the benefits we, as fly people, brought into this field is we don’t know anything — so we’re going to question everything.”

De La O traveled to the University of Virginia to learn live imaging techniques from associate professor of cell biology Ann Sutherland, and she’s also been in contact with Gabriel Galea at University College London, where Martin and De La O are considering a visit for further training. 

“There are a lot of reasons why these experiments could go wrong, and one of them is that I’m not trained yet,” she says. “Once you know how to do things on an optimal setup, you can figure out how to make it work on a less-optimal setup.”

Collaboration and community

De La O has now expanded her cooking repertoire far beyond her family’s recipes and shares her new creations when she visits home. At MIT, she hosts dinner parties, including one where everything from the savory appetizers to the sweet desserts contained honey, thanks to an Independent Activities Period course about the producers of the sticky substance, and she made and tried apple pie for the first time with her fellow graduate students after an afternoon of apple picking. 

De La O says she’s still learning how to say no to taking on additional work outside of her regular obligations as a PhD student; she’s found there’s a lot of pressure for underrepresented students to be at the forefront of diversity efforts, and although she finds that work extremely fulfilling, she can, and has, stretched herself too thin in the past. 

“Every time I see an application that asks ‘How will you work to increase diversity,’ my strongest instinct is just to write ‘I’m brown and around — you’re welcome,’” she jokes. “The greatest amount of diversity work I will do is to get where I’m going. Me achieving my goals increases diversity inherently, but I also want to do well because I know if I do, I will make everything better for people coming after me.”

De La O is confident her path will be in academia, and troubleshooting, building up protocols, and setting up standards for her work in the Martin Lab has been “an excellent part of my training program.” 

De La O and Martin embarked on a new project in a new model for the lab for De La O’s thesis, so much of her graduate studies will be spent laying the groundwork for future research. 

“I hope her travels open Juana’s eyes to science being a larger community and to teach her about how to lead a collaboration,” Martin says. “Overall, I think this project is excellent for a student with aspirations to be a PI. I benefited from extremely open-ended projects as a student and see, in retrospect, how they prepared me for my work today.”

Dos & Don’ts for the WordPress Block Editor

The WordPress Block Editor continues to improve. Each new version contains something worth celebrating.

The tool has empowered content creators and designers. You no longer need additional plugins to build a functional page layout. WordPress core includes just about all the basics. Need something more? There are plenty of ways to extend the editor, too.

None of this makes the Block Editor foolproof, however. It’s still easy to paint yourself into a virtual corner. A simple mistake can mean more difficult maintenance – particularly when clients are involved.

I’ve built quite a few sites with blocks. And not every decision was a good one. Yes, I’ve created a few messes. Cleaning them up can be time-consuming.

Today, I’m going to share a few things I’ve learned. May these lessons help you avoid a similar fate!



Do: Think about Future Maintenance Needs

Page layouts don’t last forever. They must adjust as our content needs evolve. The Block Editor can act as a trap in these situations.

Consider a company’s staff listing, for example. Let’s say our client wants to display each person’s name, title, and photo.

It sounds simple. We can use the Columns block to create a beautiful and responsive layout. The page looks perfect. But what happens when we need to make changes?

Staff members come and go. Yes, we could replace the departed staffers with the new ones. Then again, our client wants them to display in alphabetical order. The required changes don’t follow suit. What do we do now?

The options are less than ideal. We could edit the block’s code to rearrange each column. Or we could reconstruct the layout from scratch. Both possibilities are rife with peril. OK, perhaps I’m being a bit dramatic. But it’s not fun.

A custom block may be a better solution. Using Advanced Custom Fields PRO, you could create an interface that allows for easier maintenance. Adding, deleting, and rearranging the list would be built into the block. There’s no need to reinvent the wheel when making changes.

The lesson is to think about the future maintenance needs of your layout. Then, implement a strategy that will allow for changes. You’ll be glad when the time comes.

Dos & Don’ts for the WordPress Block Editor

Don’t: Allow Users to Switch between the Block and Classic Editors

The WordPress Classic Editor is still alive and well. Millions of websites are using it. That’s OK. There’s nothing wrong with using a tool you’re comfortable with.

However, mixing the Block and Classic editors can be messy. The Classic Editor plugin has a setting that allows users to switch between editors. You might want to leave this feature turned off.

Let’s say you’ve built a complex layout using the Block Editor. But your client doesn’t like blocks. Or they aren’t familiar with them. They decided to edit this page using the Classic Editor. Hilarity (or tragedy) ensues.

Then, you edit the page and switch back to the Block Editor. You see numerous errors stating that blocks contain invalid content. The “Attempt Block Recovery” feature doesn’t work. It looks like you have a mess on your hands.

Too much can go wrong in this scenario. Thus, don’t allow users to switch between editors. It’s an accident waiting to happen.

The Classic Editor doesn't always play nicely with block code.

Do: Choose Third-Party Block Plugins Carefully

There are a multitude of plugins for extending the Block Editor. Many of them offer a suite of custom blocks.

That’s a good thing. The core blocks included with WordPress aren’t always flexible. Thus, installing a custom block may be of help. But it’s worth scrutinizing them first.

Custom blocks are plugins, after all. They can vary in terms of features and quality. The same rules apply when choosing the right one.

Only install what you need. Study each plugin’s reviews and changelog. And remove any block plugins you aren’t using.

What’s the danger? The wrong plugin could cause bugs or performance issues. Plus, security is always a concern.

Third-party blocks require a commitment. Be sure that you’re ready to take that step.

Choose custom blocks as carefully as you choose other plugins.

Don’t: Edit Blocks as HTML

The Classic Editor made it easy to switch between visual and code editing. You might use this feature to add HTML or a CSS class. There were some hiccups, but it worked well enough.

The Block Editor has a similar feature. Blocks have an “Edit as HTML” interface. You can access it via each block’s options menu.

I never understood the purpose of this feature. That’s likely because I always end up breaking something. Adding a CSS class, for instance, triggers an error when switching to the Visual editor.

A "This block contains unexpected or invalid content" error is displayed. From there, I have to go back in and remove the class. The same issue happens when adding other types of content as well.

Therefore, it may be wise to consider editing block HTML as off-limits. There’s more risk than reward.

Plus, you can use the Custom HTML block for similar tasks. Add HTML, CSS, or even JavaScript into the field. You won’t break it!

By the way, you can add CSS classes to blocks via the Advanced tab in the settings panel.

Editing block HTML can lead to unintended results.

Do: Use the Block Editor’s List View Feature

WordPress allows us to nest blocks inside each other. And blocks are portable. You can drag them anywhere on the screen. That can result in some undesired effects.

For instance, moving blocks to a new spot can be difficult. It’s easy to make a mistake. The wrong move could undo a lot of hard work.

The List View feature can save you a lot of headaches. It provides a visual outline of each block on your page. It even works with nested blocks.

Even better, you can easily reposition blocks directly within List View. Click on a block and drag it to the desired position. Need to move multiple blocks? That’s also possible.

The user experience is infinitely better than wrestling with the editor. You’ll have a better sense of where you are on the page. And it will likely make for easier edits.

List View can help you keep track of and edit page layouts.

Do: Keep Experimenting with the Block Editor

The Block Editor isn’t perfect. Like all editors, it has some quirks and annoyances. But it’s still worth testing the limits.

That’s often the best way to learn. So, create a local website and experiment. See what works and what doesn’t. But don’t limit yourself to a single test.

The user experience is evolving. Thus, a technique that didn’t work last time may now be possible. You might even install the Gutenberg plugin to get a taste of what’s coming in future releases.

Doing so will serve you well. You’ll be able to build layouts that stand the test of time. And you might be surprised at what you can accomplish using blocks.

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HBO’s The Last Of Us: Young Mazino Cast As Jesse For Season 2

HBO’s The Last Of Us: Young Mazino Cast As Jesse For Season 2

Naughty Dog and HBO have cast Young Mazino as Jesse for The Last of Us’ second season. This follows yesterday’s news that Kaitlyn Dever (Booksmart, No One Will Save You) will play Abby in the show’s second season. 

For the uninitiated, Jesse is one of the characters that Ellie calls a friend in The Last of Us Part II and without spoiling anything, his character goes on quite the journey in the name of friendship. Manzino starred in Netflix’s Beef series that aired last year, and he was featured in the music video for “Snooze” by SZA. Other credits include Prodigal Son, Drama High, Trinity’s Triump, and Good Boy

Fans of Naughty Dog’s Last of Us series on PlayStation eagerly await the second season of HBO’s The Last of Us. The first season debuted in January of last year, covering the events of the first game and its Left Behind DLC. HBO quickly confirmed the show would be getting a second season, which is set to premiere next year.

We loved the first season and can’t wait to see how it adapts The Last of Us Part II, which is getting remastered later this month. It seems we aren’t alone either – The Last of Us’ premiere was HBO’s second-largest debut since 2010, and viewers stuck around for the entire season. 

The first season of The Last of Us has already won eight Emmy awards, and there are still other Emmys the series is up for when the last night of the awards show airs next week. For more, read Game Informer’s review of The Last of Us and then read Game Informer’s review of The Last of Us Part II


What do you think of this casting? Let us know in the comments below!

Richard Wiesman, professor of the practice in mechanical engineering, dies at age 69

Richard Wiesman, professor of the practice in mechanical engineering, dies at age 69

Richard M. Wiesman ’76, SM ’76, PhD ’83, a professor of the practice in the MIT Department of Mechanical Engineering (MechE), died on Sunday, Jan. 7. He was 69. 

A technology innovator and leader who saw many complex engineering systems reach the marketplace, Wiesman’s work spanned from laboratory development to field deployment. His broad skills in all aspects of automation and robotics — including design, control, communications, locomotion, actuation, sensing, and power — brought a unique perspective to the education of MIT students and made him a tremendous educator, mentor, and colleague.

“Dr. Wiesman’s great enthusiasm for teaching, in parallel with his distinguished industry career, was a wonderful inspiration for our students,” says John Hart, department head and professor of mechanical engineering. “We will miss him very much.”

Wiesman was a lecturer in MechE in the early 1980s and from 2005 to 2007, and was named professor of the practice in 2007. He taught and supervised research in the areas of design, product development, robotics, controls, and manufacturing, and served as co-director of MIT’s Field and Space Robotics Laboratory. In recent years he served on the teaching teams for courses 2.00B, 2.007, 2.008, 2.009, and 2.810, and worked with and inspired many generations of students, including as a 2.009 instructor last fall.  

Wiesman was born on Oct. 7, 1954, to Harold and Elaine Wiesman. He had two brothers, John and Ron, and grew up in Omaha, Nebraska, before coming to study at MIT. Wiesman earned his bachelor’s, master’s, and PhD degrees in MechE at MIT. His doctoral thesis was on high-speed linear induction machines for transportation applications, which led him to work on the U.S. Navy’s Electromagnetic Aircraft Launch System and the Advanced Arresting Gear system.

Wiesman’s work on mobile robots started with the development of a new class of explosive ordnance disposal robots, which grew into a successful business in mobile robots for hazardous ground-based activities — including special robots for internal pipe inspection, robots for warehouse and packing activities, and analysis of robot team characteristics for planetary exploration.

Wiesman worked at Foster Miller/QinetiQ for over 40 years, starting as an engineer and ending his tenure as the executive vice president and chief technology officer. Most recently, he served as a senior fellow for General Atomics and as a member of Arsenal Capital’s Industrial Growth Advisory Board. In 2021, he shared reflections on his career in mechanical engineering with MechE students, telling them in his summation, “I believe you’ve selected an absolutely wonderful career.”

The Institute is also where Wiesman met his wife of 44 years, Suzanne. Together, they took great pleasure in traveling, hiking, snowshoeing, being with friends, and most of all, raising their three children.

Wiesman is survived by his wife; his son Josh and wife Kristina; his son David and wife Haley; his son Ben and wife Emily; and his grandchildren, Elena, John, William, and Julian, in whom he delighted as “Papa.”

In lieu of flowers, the family asks to please consider a donation to the American Heart Association